Happy-Endings
The six “mini-stories” in this short meta-fictional narrative from Margaret Atwood satirize a common element of the story form. In the process, they touch on a myriad of themes including marriage and romance, family life, self-gratification, desperation, suicide, murder, virtue and compassion. The message seems to be that the ultimate denouement of a story matters little; the key is in its exposition and “How and Why” of events in between. The story also provides a lesson in life: What people will remember most about us after our book is closed is the how and why of the way we lived.
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Today we have a reverse chronology of the folktales behind the classic children’s story, Sleeping Beauty. The famous kiss that woke the princess comes from the Brothers Grimm’s Briar-Rose (1812). Charles Perrault’s Sleeping Beauty in the Wood (1697) has no kiss but lots of talk, a hasty wedding followed by a night of “very little sleep”, and an added section where the prince’s mother (an Ogress) decides to make a meal of their children. Perault’s inspiration was the Giambattista Basile’s Sun, Moon and Talia (1634). Here, the king “gathers the first fruits of love” (rapes) the poor unconscious girl.
In this story by Brenda Wilkinson, a school friend helps a young a girl deliver her baby in her upstairs bedroom while a house-full of guests celebrate her “Sweet Sixteenth” birthday downstairs. The baby’s father wanted her to keep it; she wanted a termination but waited too long. The next morning, she secretly takes the baby to a hospital, claiming she found it on the street. Fortunately, the truth comes out and the prospect of family shame encourages her to keep the child, which she now loves. Themes include naivety, choices and consequences, deception, abortion, friendship, social image, and motherhood.
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