Featured Stories
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In this thought-provoking story from Roberto Bolaño, a father and his twenty-two-year-old son go on an ill-fated vacation together. The two men are very different. The father is a sociable truck-driver who likes a good time, usually involving alcohol and women. Although no prude, his son is a broody intellectual who enjoys reading poetry. The holiday appears doomed from the start. Despite some tender moments, a tone of impending disaster builds throughout the story. It is fitting that, when danger finally strikes, father and son face it together. We aren’t told the outcome, because it’s not important to the story.
Isaac Singer’s protagonist is an aging philosopher who has struggled for thirty years to write a commentary on the 17th century philosophical treatise, Spinoza’s Ethics. Frustrated, sickly and too weak from hunger to get out of bed, a reclusive spinster nurses him back to health. Her kindness leads to marriage and a wedding night in which he miraculously regains his youthful virility and passion for life. The story’s denouement: Spinoza, forgive me. I have become a fool. could thus be taken several ways. Themes: obsession, isolation and loneliness, renewal through passion, the difficulty in reconciling Spinoza’s views with traditional religion.
In this Jack London story, a group of Alaskan miners celebrating Christmas greet a stranger warmly. The man is in a hurry. He shares a drink, passes around a picture of his family, and asks to be awakened in four hours to be on his way. Shortly after he leaves, a policeman arrives claiming the stranger had stolen $40,000. The men are initially angry at being deceived. However, when they learn he had only stolen money owed to him, they drink to the stranger’s good luck and “confusion to the police”. Themes include camaraderie, betrayal, morality, wilderness justice.
This metafictional story by Tim O’Brien uses observations on a small collection of stories related by soldiers to highlight the difficulty of faithfully communicating one’s wartime experiences. His central argument is that in war it’s difficult to separate what happened from what seemed to happen and therefore you lose your sense of the definite, hence your sense of truth itself. This leads to the seemingly paradoxical conclusion that in a true war story nothing is ever absolutely true. Themes include the nature of truth in storytelling, memories vs. imagination, the trauma of war, morality.
The major theme of this story from Stephen Crane is the taming of America’s ‘Wild West’. The instrument of change is the railroad, which brings ‘Eastern’ ways to previously isolated communities like Yellow Sky. The town’s Marshall, who returns from a city visit with a new wife, symbolizes the transition. As the couple approach their new home, where things will certainly be different for the Marshall, they are confronted by the town drunk spoiling for a fight. When the ‘showdown’ doesn’t go as the drunkard expects, he realizes the old days are gone forever. Other themes: community, marriage, fear, violence.
The major themes of this Mary E. Wilkins Freeman story are honor, loyalty and self-sacrifice. A young engaged couple pledge to remain faithful to one another when the man asks for time before they marry to go away and make his fortune. Fourteen years later, he returns a rich man. Both have honoured the pledge, and they make wedding plans. Although circumstances have changed and each has a reason not to marry, neither will admit it out of respect for the other’s loyalty. An overheard conversation changes things. Other themes include choices and consequences, independence, solitude, gender roles, courage, identity.
Today we have a reverse chronology of the folktales behind the classic children’s story, Sleeping Beauty. The famous kiss that woke the princess comes from the Brothers Grimm’s Briar-Rose (1812). Charles Perrault’s Sleeping Beauty in the Wood (1697) has no kiss but lots of talk, a hasty wedding followed by a night of “very little sleep”, and an added section where the prince’s mother (an Ogress) decides to make a meal of their children. Perault’s inspiration was the Giambattista Basile’s Sun, Moon and Talia (1634). Here, the king “gathers the first fruits of love” (rapes) the poor unconscious girl.
In this story by H. G. Wells, a climber falls thousands of feet off a mountain into soft snow. He survives, to find himself in a hidden valley inhabited by a community who were born blind. Initially, he sees this as an opportunity to assume power in line with the proverb: In the Country of the Blind the One-eyed Man is King. However, things don’t go as planned. He soon finds that rather than being disabling, blindness gives the inhabitants additional capabilities. Themes include isolation, disability, lust for power, delusion/entrenched attitudes (metaphorical blindness), unfulfilled love, sacrifice, liberation.
