The Company of Wolves
The early part of Angela Carter’s Company of Wolves comprises background and several anecdotes which build anticipation and atmosphere. The main story, which doesn’t start until one-third of the way through the text, is an adult-oriented adaption of Charles Perrault’s Little Red Riding Hood. Carter reinforces Perrault’s original theme through eroticism. The addition of the wolf choir outside the cabin (“Who has come to sing us carols, she said.” “Those are the voices of my brothers, darling; I love the company of wolves.”) reflects the feminist view (and Carter’s?) that all men have an innate desire to deflower young women.
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As anyone who has witnessed an acrimonious divorce knows, sometimes demands over property settlement and custody of children defy logic. This is often because discussions are driven by anger and a desire to hurt or “get back at” the other party as opposed to fairness and what is best for all. In this short story by
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Today we have another classic horror story from