Featured Stories

The Happiest I’ve Been

The Happiest I've Been: Short story by John UpdikeThis acclaimed story from John Updike concludes with the protagonist attributing his overwhelming happiness to driving a powerful car through the stunning Pennsylvania countryside, blessed irresponsibility, a waiting girl who would marry him, and twice being trusted enough for someone to fall asleep beside him. The second-year university student is on the cusp of manhood. Observing the party he had been going to all his life the previous night taught the shy loner that he, along with his friends, have out-grown childhood and need to move on with their lives. Themes: solitude, nostalgia, transition (from childhood to adulthood), looking ahead.

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The Adulterous Woman

The Adulterous Woman: Short story by Albert CamusThe adultery in this story from Albert Camus is not of the sexual kind. For the married protagonist, the vast expanse of the Algerian desert puts into perspective something she already knew but had refused to face. Although she has a caring and possibly still loving husband, married life has become mundane and, through lack of communication, lonely. With both existentialist and feminist undertones, her epiphany on the rampart provides a brief escape from misery and the realization that life could offer so much more. Themes: lack of fulfillment, loneliness, natural splendor, freedom, finding meaning and purpose in life.

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The Whisperer

The Whisperer: Short story by Vivien AlcockIn this children’s story by Vivien Alcock, a British girl visits a friend’s house for the first time. Sitting down to tea, she senses that she is being watched by someone hiding in the room. As she moves around the house, she hears strange whispering… “Let me in, please let me in.” She can’t see anyone, and later learns that the plea comes from a ghost that has been following the family for years. Thanks to the girl, the restless spirit is finally able to sleep. Themes include friendship, tolerance, compassion, forgiveness, the supernatural.

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Here We Aren’t, So Quickly

Here We Aren't, So Quickly: Short story by Jonathan FoerMany readers find this Jonathan Foer story confusing because of its unconventional style. It comprises a series of short, seemingly random recollections and observations about a couple’s past, often in the form of negative declarations. On the first read, the differences between the two people appear so vast that it is hard to see how they could remain happy together. Themes include the swift passing of time, personality growth as we age, understanding and accepting differences, and the development of a relationship from individuals (”I” and “You”) to a couple (“We”) and then a family (“We” and “He”).

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Seibei and His Gourds (The Artist)

Seibei and His Gourds (The Artist): Short story by Shiga NaoyaThis story from Shiga Naoya uses situational irony to highlight the importance of encouraging people to pursue their artistic passions. Seibei has a fascination with decorative gourds. He spends all his free time buying natural pods and turning them into the polished decorative pieces. When this causes problems at school, Seibei’s teacher shames his parents into forbidding the hobby and destroying his gourd collection. Unbeknown to all, this may have cost Seibei a lucrative, satisfying career. The disheartened boy complies, but soon takes up another artistic interest. Themes: (Seibei) art, passion, talent, obedience, resilience; (his parents) narrow-mindedness.

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The Snow Child

The Snow Child: Short story by Angela CarterThe main theme of Angela Carter’s Snow Child is feminist gender stereotyping. There are no heroes here. A powerful, dominating and lustful Count humiliates his wife by wishing for a young girl and clothing her in the vain Countess’s furs. His masculinity and dignity are then stripped away as he weeps while defiling the child’s dead body. The usually submissive Countess experiences a moment of power as the Count guiltily hands her the rose that’s thorn prick killed the child. This passes when a similar prick fails to kill her, proving that she lacks the sweet innocence of the snow child.

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The Wave

The Wave: Short story by Liam O'FlahertyThe only “characters” in this vignette from Liam O’Flaherty are a cliff, waves, and “the wave”. Major themes include permanence, time, the power of nature/many. O’Flaherty was a noted Republican, and the story can be looked upon as a powerful allegory of Ireland’s struggle for independence. The cliff (Britain) stands firm and resolute, having successfully weathered many storms over its long history. Individually, the smaller waves (the Irish people) make little impression against its rocky walls. Working together, and combining to form “the wave”, they have enough power to begin breaking down the mighty cliff.

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Sleeping Beauty

Sleeping Beauty: European Folktale from Charles PerraultToday we have a reverse chronology of the folktales behind the classic children’s story, Sleeping Beauty. The famous kiss that woke the princess comes from the Brothers Grimm’s Briar-Rose (1812). Charles Perrault’s Sleeping Beauty in the Wood (1697) has no kiss but lots of talk, a hasty wedding followed by a night of “very little sleep”, and an added section where the prince’s mother (an Ogress) decides to make a meal of their children. Perault’s inspiration was the Giambattista Basile’s Sun, Moon and Talia (1634). Here, the king “gathers the first fruits of love” (rapes) the poor unconscious girl.

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