Like many Luisa Valenzuela stories, the main theme of All About Suicide is the unchecked violence of daily life in 1960/70s Argentina. The story is notable for its unusual plot structure. It begins with a description of a shooting, travels back to (supposedly) irrelevant events in the distant past, fast forwards to the immediate past, and then re-describes the shooting. Thanks to the way Valenzuela playfully misleads readers with ambiguous possessive adjectives, the true nature of the shooting remains unclear until the last sentence. The resulting confusion highlights the uncertainty of living in Argentina at the time.
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