This story by R. K. Narayan starts by contrasting the village of Somal’s poor utilities and sanitation practices with the almost idyllic existence of its inhabitants. Set before the coming of electronic media, the only regular source of entertainment is Nambi, the village storyteller. As de-facto village priest, Nambi is also the focal point of its culture and traditions. Sadly, he is getting old. He forgets prepared stories, and has difficulty coming up with new material. Fortunately, he has the good sense to make his ‘greatest’ story his last. Themes include storytelling, community, aging, knowing when to stop, spirituality.. More…
Servant Girl
In this story by Estrella Alfon, a hard working Filipino servant girl works for a mistress who is a heavy drinker and often verbally and physically abusive. She rejects a local man who says he loves her, and is infatuated with an “angelic” cochero who once helped her after a fall. After a particularly brutal beating, she runs away to look for the cochero, who she fantasizes is in love with her. She finds him, but he doesn’t remember her. Seeing things more clearly, she returns home. Themes include social class, innocence, workplace abuse, humiliation, perseverance, fantasy, violence, enlightenment. More…
Monkeyman
W. D. Myers’s Monkeyman is a quiet, bookish senior high-school student who steps in to prevent two “lady” members of a street gang from slashing the face of a girl he knows. The rest of the gang is honour-bound to extract payback. Instead of hiding, he challenges one of them to meet in a park. As a large crowd gathers to watch, Monkeyman does something that surprises everyone. Three weeks later, he is fighting for his life in hospital. At the time, the narrator thinks Monkeyman’s actions in the park were stupid. Years later, he/she thinks differently. More…
Axolotl
Julio Cortázar gives away the plot of this story in the first paragraph: There was a time when I thought a great deal about the axolotls… Now I am an axolotl. The rest of the story talks about this Kafkaesque transformation, which is partial and may have only occurred in the protagonist’s mind. He (the axolotl part) sits in an aquarium tank watching himself (the unchanged part) looking in from the other side. Considering his life from this perspective seemingly builds the man’s self-esteem, and he no longer feels the need to return. Themes: loneliness, alienation, obsession, connection, enlightenment, inertia. More…
The Hospice
Author Robert Aickman preferred to be called a writer of “strange fiction” rather than ghost or horror stories. The Hospice, considered one of his best, is a good example of why. The story is full of unexplained twists and turns. It builds to what readers expect will be a typical horror climax, then seemingly falls flat with the protagonist safely on his way home. But is he? It’s easy to see why Aickman has been called the English Kafka. Was it a dream? Delirium caused by an animal bite? Supernatural forces? Or did he die along the way? More…