Many Charles Dickens stories feature ghosts. Part of the attraction of The Signal-man is that, although generally considered one of these, there is no hard evidence of a ghost. Dickens masterfully uses setting to create a forbidding, unearthly atmosphere, and then leaves the question of the ghost to the reader. Like all first-person stories, the narrator’s version is open to misinterpretation and bias. The only evidence of the supernatural are the ghostly sightings described by the (now dead) signal-man, and some (potentially coincidental) shared expressions and gestures. Themes: duty & responsibility, fate, isolation, guilt, sanity, the supernatural. More…
A Defenseless Creature
In addition to his tales highlighting serious issues such as poverty, class, death and unfulfilled expectations, Anton Chekhov wrote dozens of comic short stories to support himself through medical school. In this story, a persistent, shrew-like woman wears down a sickly banker. The exasperated man finally pays money the woman claims is owing to her husband out of his own pocket, even though the alleged debt has nothing to do with his bank. Despite the woman repeatedly describing herself as such, readers are left wondering if the harried banker is the titular “defenseless creature”. Themes: bureaucracy, communication, desperation, persistence. More…
Federigo’s Falcon
Officials issued public pleas and advised residents on measures that would minimise risk of contagion, such as social distancing and increased personal hygiene. Sound familiar? This comes from the introduction to The Decameron, a 1353 collection of tales told by a fictitious group hiding from the plague (smallpox). Although most of the stories were borrowed from early Eastern and European sources, Italian author Giovanni Boccaccio cleverly re-wrote (and in some cases reinvented) them into a fascinating account of life at the time. In this story, a poor noble mistakenly sacrifices his prized hunting bird to impress the woman he loves. More…
The House on Mango Street / Those Who Don’t / Alicia and I Talking…
Today we have three short vignettes from Sandra Cisneros’s House on Mango Street. Each deals with an aspect of “place”. The protagonist’s Mexican-American family moves to a new neighborhood. Although far from perfect, their small house is special because they own it. It lies in a Hispanic part of town that most outsiders consider dangerous. However, the only time they feel scared is if they drive through “another color’s” neighborhood. A year later, the protagonist reflects on why the house (of which she is ashamed) doesn’t yet feel like home. Themes: childhood, family, shame, belonging, house vs. home. More…
A Great Day
An unusual aspect of this story from Frank Sargeson is that it is largely made up of superficial conversations between two ‘friends’ out in a boat for a morning fishing trip. Readers are given sufficient clues to piece together the men’s backgrounds and the major issues between them. However, they must make their own judgements about the grim climax. An important question in assessing Fred’s character is the timing of his plan. Was it a callous, premeditated decision made before the “Great Day”, or a spur of the moment, opportunistic idea? Themes: envy, jealousy, class, self-esteem, masculinity. More…