The major theme of this humorous story by Washington Irving is the extent to which we rely on appearance to judge others. A traveller staying at an inn is forced to remain indoors on a miserable, rainy Sunday. With nothing to do and no one to talk to, he passes the time by speculating as to the profession and social status of the only other guest, a demanding, seemingly sophisticated man who remains in his room all day. We learn little more about the other man, who the staff refer to only as the stout gentleman. Other themes: curiosity, obsession, identity. More…
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The Legend of Sleepy Hollow
The central character of this story by Washington Irving is a greedy city schoolmaster who moves to a school in a sleepy country town and sets about getting rich by marrying the daughter of a wealthy landowner. The teacher’s proposal is rejected, and he disappears one night after being chased by the “ghost” of a headless horseman. Major themes include storytelling (tall-tales), superstition, greed (Ichabod), fickleness (Katrina), ambiguity (in relation to both the horseman’s identity and Ichabod’s fate), and city vs. country perceptions (conniving sophistication vs. integrity and practicality). More…
Rip Van Winkle
Although Washington Irving’s Rip Van Winkle is widely considered one of the first American short stories, it was inspired by a German folktale. In order to escape the wrath of his shrewish wife, a lazy but lovable man goes hunting in the Catskill Mountains. He has an adventure involving some odd-looking men, a keg of strange liquor, and a very long night’s sleep. He doesn’t bring back any game but, like his country, returns to a peace and freedom never experienced before. Themes include storytelling, tyranny (his wife/England) vs. independence, indolence and passivity, marital conflict, progress, the supernatural. More…
The Devil and Tom Walker
The major theme of this story by Washington Irving is greed. Other themes include storytelling, usury, religion and hypocrisy. Set in early eighteenth century America, a miserly, poverty-stricken man (Tom Webster) meets “Old Scratch” (the Devil) as he takes a short-cut home through a swamp. Tom initially declines an offer of riches for his soul, but later agrees after the Devil unknowingly does him a favor by disposing of his shrew-like wife. Upon becoming extremely wealthy by making and foreclosing on usurious loans, he tries to change his fate through “violent” religious piety. It doesn’t work! More…