Donkey Skin
The lessons taught by many folktales are just as important today as they were hundreds of years ago. Donkey Skin deals with sexual abuse in the form of incest between father and daughter. A powerful king wants to marry his daughter, as this is the only way he can keep a promise he made to his dying wife. Fortunately, the brave girl has other ideas. I find it interesting that the story makes it clear that the king’s actions are wrong, but seems to have no problem with a handsome prince who spies on women through key holes.
Puss in Boots is sometimes criticized for the mixed message it sends to children. Derived from a 14th Century Italian folktale, a clever cat helps its slow-witted master win the heart of a princess through trickery, lies, threats and theft. To condemn the story because of this seems a little unfair, since folklore is full of likeable tricksters whose crimes are far worse than the cat’s. These characters often play an important role, challenging traditional beliefs through satire. Here, the cat’s actions show up both the greed and gullibility of the king and the shallowness of his daughter.
As in real life, many folktales have protagonists who attain riches and/or happiness by questionable means. Bluebeard, Charles Perrault’s serial killing nobleman, obviously deserves his fate. However, it is also hard to see how his last wife, who first rejected him based on his looks, seemingly only married him for his riches, and then betrayed his generosity and trust by entering a forbidden room, deserves a “happily ever after” future. Themes include judging by appearances, greed, vanity, betrayal of trust and justice. One question remains: if the beard made women and girls run away, why didn’t Bluebeard shave it off?
This story from
Today we have a reverse chronology of the folktales behind the classic children’s story, Sleeping Beauty. The famous kiss that woke the princess comes from the Brothers Grimm’s Briar-Rose (1812). Charles Perrault’s Sleeping Beauty in the Wood (1697) has no kiss but lots of talk, a hasty wedding followed by a night of “very little sleep”, and an added section where the prince’s mother (an Ogress) decides to make a meal of their children. Perault’s inspiration was the Giambattista Basile’s Sun, Moon and Talia (1634). Here, the king “gathers the first fruits of love” (rapes) the poor unconscious girl.
This time last year we featured
Cinderella, perhaps the world’s best-known children’s story, has its origins in folklore. The version immortalized by Disney was first published in