Ann Beattie’s Janus is about a realtor (Andrea) who strategically places her most prized possession (a decorative, “lucky” bowl) in houses she is showing in the belief it will help them sell. The titular Janus is the two-faced Roman god of duality; the lover who gave Andrea the bowl calls her “two-faced” for not leaving her husband. The central theme, symbolized by the bowl, is the choices modern women must make, as between career and family, financial security and struggle, husband and lover, etc. Andrea’s choices bring career and financial success, but not happiness. Other themes: aesthetic appreciation, deception, emptiness.
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