Beggar My Neighbor – Dan Jacobson

MICHAEL saw them for the first time when he was coming home from school one day. One moment the street had been empty, glittering in the light from the sun behind Michael’s back, with no traffic on the roadway and apparently no pedestrians on the broad sandy pavement; the next moment these two were before him, their faces raised to his. They seemed to emerge directly in front of him, as if the light and shade of the glaring street had suddenly condensed itself into two little piccanins with large eyes set in their round, black faces.

Stukkie brood?” the elder, a boy, said in a plaintive voice. A piece of bread. At Michael’s school the slang term for any African child was just that: stukkie brood. That was what African children were always begging for.

Stukkie brood?” the little girl said. She was wearing a soiled white dress that was so short it barely covered her loins; there seemed to be nothing at all beneath the dress. She wore no socks, no shoes, no cardigan, no cap or hat. She must have been about ten years old. The boy, who wore a torn khaki shirt and a pair of gray shorts much too large for him, was about Michael’s age, about twelve, though he was a little smaller than the white boy. Like the girl, the African boy had no shoes or socks. Their limbs were painfully thin; their wrists and ankles stood out in knobs, and the skin over these protruding bones was rougher than elsewhere. The dirt on their skin showed up as a faint grayness against the black.

“I’ve got no bread,” the white boy said. He had halted in his surprise at the suddenness of their appearance before him. They must have been hiding behind one of the trees that were planted at intervals along the pavement. “I don’t bring bread from school.”

They did not move. Michael shifted his school case from one hand to the other and took a pace forward. Silently, the African children stood aside. As he passed them, Michael was conscious of the movement of their eyes; when he turned to look back he saw that they were standing still to watch him go. The boy was holding one of the girl’s hands in his.

It was this that made the white child pause. He was touched by their dependence on one another, and disturbed by it too, as he had been by the way they had suddenly come before him, and by their watchfulness and silence after they had uttered their customary, begging request. Michael saw again how ragged and dirty they were, and thought of how hungry they must be. Surely he could give them a piece of bread. He was only three blocks from home.

He said, “I haven’t got any bread here. But if you come home with me, I’ll see that you get some bread. Do you understand?”

They made no reply; but they obviously understood what he had said. The three children moved down the pavement, their shadows sliding over the rough sand ahead of them. The Africans walked a little behind Michael, and to one side of him. Once Michael asked them if they went to school, and the boy shook his head; when Michael asked them if they were brother and sister, the boy nodded.

When they reached Michael’s house, he went inside and told Dora, the cook-girl, that there were two piccanins in the lane outside, and that he wanted her to cut some bread and jam for them. Dora grumbled that she was not supposed to look after every little beggar in town, and Michael answered her angrily, “We’ve got lots of bread. Why shouldn’t we give them some?” He was particularly indignant because he felt that Dora, being of the same race as the two outside, should have been even readier than he was to help them. When Dora was about to take the bread out to the back gate, where the piccanins waited, Michael stopped her. “It’s all right, Dora,” he said in a tone of reproof, “I’ll take it,” and he went out into the sunlight, carrying the plate in his hand.

Stukkie brood,” he called out to them. “Here’s your stukkie brood.”

The two children stretched their hands out eagerly, and Michael let them take the inch-thick slices from the plate. He was pleased to see that Dora had put a scraping of apricot jam on the bread. Each of the piccanins held the bread in both hands, as if afraid of dropping it. The girl’s mouth worked a little, but she kept her eyes fixed on the white boy.

“What do you say?” Michael asked.

They replied in high, clear voices, “Thank you, baas.”

“That’s better. Now you can eat.” He wanted to see them eat it; he wanted to share their pleasure in satisfying their strained appetites. But without saying a word to him, they began to back away, side by side. They took a few paces, and then they turned and ran along the lane toward the main road they had walked down earlier. The little girl’s dress fluttered behind her, white against her black body. At the corner they halted, looked back once, and then ran on, out of sight.

A few days later, at the same time and in the same place, Michael saw them again, on his way home from school. They were standing in the middle of the pavement, and he saw them from a long way off. They were obviously waiting for him to come. Michael was the first to speak, as he approached them.

“What? Another piece of bread?” he called out from a few yards away.

“Yes, baas,” they answered together. They turned immediately to join him as he walked by. Yet they kept a respectful pace or two behind.

“How did you know I was coming?”

“We know the baas is coming from school.”

“And how do you know that I’m going to give you bread?”

There was no reply; not even a smile from the boy, in response to Michael’s. They seemed to Michael, as he glanced casually at them, identical in appearance to a hundred, a thousand, other piccanins, from the peppercorns on top of their heads to their wide, callused, sand-gray feet.

When they reached the house, Michael told Dora, “Those stukkie broods are waiting outside again. Give them something, and then they can go.”

Dora grumbled once again, but did as she was told. Michael did not go out with the bread himself; he was in a hurry to get back to work on a model car he was making, and was satisfied to see, out of his bedroom window, Dora coming from the back gate a few minutes later with an empty plate in her hand. Soon he had forgotten all about the two children. He did not go out of the house until a couple of hours had passed; by then it was dusk, and he took a torch with him to help him find a piece of wire for his model in the darkness of the lumber shed. Handling the torch gave Michael a feeling of power and importance, and he stepped into the lane with it, intending to shine it about like a policeman on his beat. Immediately he opened the gate, he saw the two little children standing in the half-light, just a few paces away from him.

“What are you doing here?” Michael exclaimed in surprise.

The boy answered, holding his hand up, as if warning Michael to be silent. “We were waiting to say thank you to the baas.”

“What!” Michael took a step toward them both, and they stood their ground, only shrinking together slightly.

For all the glare and glitter there was in the streets of Lyndhurst by day, it was winter, midwinter; and once the sun had set, a bitter chill came into the air, as swiftly as the darkness. The cold at night wrung deep notes from the contracting iron roofs of the houses and froze the fish ponds in all the fine gardens of the white suburbs. Already Michael could feel its sharp touch on the tips of his ears and fingers. And the two African children stood there barefoot, in a flimsy dress and torn shirt, waiting to thank him for the bread he had had sent out to them.

“You mustn’t wait,” Michael said. In the half-darkness he saw the white dress on the girl more clearly than the boy’s clothing; and he remembered the nakedness and puniness of her black thighs. He stretched his hand out, with the torch in it. “Take it,” he said. The torch was in his hand, and there was nothing else that he could give to them. “It’s nice,” he said. “It’s a torch. Look.” He switched it on and saw in its beam of light a pair of startled eyes, darting desperately from side to side. “You see how nice it is,” Michael said, turning the beam upward, where it lost itself against the light that lingered in the sky. “If you don’t want it, you can sell it. Go on, take it.”

A hand came up and took the torch from him. Then the two children ran off, in the same direction they had taken on the first afternoon. When they reached the corner all the street lights came on, as if at a single touch, and the children stopped and stared at them, before running on. Michael saw the torch glinting in the boy’s hand, and only then did it occur to him that despite their zeal to thank him for the bread they hadn’t thanked him for the torch. The size of the gift must have surprised them into silence, Michael decided; and the thought of his own generosity helped to console him for the regret he couldn’t help feeling when he saw the torch being carried away from him.

*  *  *  *  *

Michael was a lonely child. He had neither brothers nor sisters; both his parents worked during the day, and he had made few friends at school. But he was not by any means unhappy in his loneliness. He was used to it, in the first place; and then, because he was lonely, he was all the better able to indulge himself in his own fantasies. He played for hours, by himself, games of his own invention—games of war, of exploration, of seafaring, of scientific invention, of crime, of espionage, of living in a house beneath or above his real one. It was not long before the two African children, who were now accosting him regularly, appeared in some of his games, for their weakness, poverty, and dependence gave Michael ample scope to display in fantasy his kindness, generosity, courage and decisiveness. Sometimes in his games Michael saved the boy’s life, and was thanked for it in broken English. Sometimes he saved the girl’s, and then she humbly begged his pardon for having caused him so much trouble. Sometimes he was just too late to save the life of either, though he tried his best, and then there were affecting scenes of farewell.

But in real life, Michael did not play with the children at all: they were too dirty, too ragged, too strange, too persistent. Their persistence eventually drove Dora to tell Michael’s mother about them; and his mother did her duty by telling Michael that on no account should he play with the children, nor should he give them anything of value.

“Play with them!” Michael laughed at the idea. And apart from bread and the torch he had given them nothing but a few old toys, a singlet or two, a pair of old canvas shoes. No one could begrudge them those gifts. The truth was that Michael’s mother begrudged the piccanins neither the old toys and clothes nor the bread. What she was anxious to do was simply to prevent her son playing with the piccanins, fearing that he would pick up germs, bad language, and “kaffir ways” generally from them, if he did. Hearing both from Michael and Dora that he did not play with them at all, and that he had never even asked them into the backyard, let alone the house, Michael’s mother was satisfied.

They came to Michael about once a week, meeting him as he walked back from school, or simply waiting for him outside the back gate. The spring winds had already blown the cold weather away, almost overnight, and still the children came. Their words of thanks varied neither in tone nor length, whatever Michael gave them; but they had revealed, in response to his questions, that the boy’s name was Frans and the girl’s name was Annie, that they lived in Green Point Location, and that their mother and father were both dead. During all this time Michael had not touched them, except for the fleeting contact of their hands when he passed a gift to them. Yet sometimes Michael wished that they were more demonstrative in their expressions of gratitude to him; he thought that they could, for instance, seize his hand and embrace it; or go down on their knees and weep, just once. As it was, he had to content himself with fantasies of how they spoke of him among their friends, when they returned to the tumbled squalor of Green Point Location; of how incredulous their friends must be to hear their stories about the kind white kleinbaas who gave them food and toys and clothing.

One day Michael came out to them carrying a possession he particularly prized—an elaborate pen and pencil set which had been given to him for a recent birthday. He had no intention of giving the outfit to the African children, and he did not think that he would be showing off with it in front of them. He merely wanted to share his pleasure in it with someone who had not already seen it. But as soon as he noticed the way the children were looking at the open box, Michael knew the mistake he had made. “This isn’t for you,” he said abruptly. The children blinked soundlessly, staring from the box to Michael and back to the box again. “You can just look at it,” Michael said. He held the box tightly in his hand, stretching it forward, the pen and the propelling pencils shining inside the velvet-lined case. The two heads of the children came together over the box; they stared deeply into it.

At last the boy lifted his head. “It’s beautiful,” he breathed out. As he spoke, his hand slowly came up toward the box.

“No,” Michael said, and snatched the box away.

“Baas?”

“No.” Michael retreated a little, away from the beseeching eyes, and the uplifted hand.

“Please, baas, for me?”

And his sister said, “For me also, baas.”

“No, you can’t have this.” Michael attempted to laugh, as if at the absurdity of the idea. He was annoyed with himself for having shown them the box, and at the same time shocked at them for having asked for it. It was the first time they had asked for anything but bread.

“Please, baas. It’s nice.” The boy’s voice trailed away on the last word, in longing; and then his sister repeated the word, like an echo, her own voice trailing away too. “Ni-ice.”

“No! I won’t give it to you! I won’t give you anything if you ask for this. Do you hear?”

Their eyes dropped, their hands came together, they lowered their heads. Being sure now that they would not again ask for the box, Michael relented. He said, “I’m going in now, and I’ll tell Dora to bring you some bread.”

But Dora came to him in his room a few minutes later. “The little kaffirs are gone.” She was holding the plate of bread in her hand. Dora hated the two children, and Michael thought there was some kind of triumph in her voice and manner as she made the announcement.

He went outside to see if she was telling the truth. The lane was empty. He went to the street, and looked up and down its length, but there was no sign of them there either. They were gone. He had driven them away. Michael expected to feel guilty; but to his own intense surprise he felt nothing of the kind. He was relieved that they were gone, and that was all.

*  *  *  *  *

When they reappeared a few days later, Michael felt scorn toward them for coming back after what had happened on the last occasion. He felt they were in his power. “So you’ve come back?” be greeted them. “You like your stukkie brood, hey? You’re hungry, so today you’ll wait, you won’t run away.”

“Yes, baas,” they said, in their low voices.

Michael brought the bread out to them; when they reached for it he jokingly pulled the plate back and laughed at their surprise. Then only did he give them the bread.

“Thank you, baas.”

“Thank you, baas.”

They ate the bread in Michael’s presence; watching them, he felt a little more kindly disposed toward them. “All right, you can come another day, and there’ll be some more bread for you.”

“Thank you, baas.”

“Thank you, baas.”

They came back sooner than Michael had expected them to. He gave them their bread and told them to go. They went off, but again did not wait for the usual five or six days to pass before approaching him once more. Only two days had passed, yet here they were with their eternal request—“Stukkie brood, baas?”

Michael said, “Why do you get hungry so quickly now?” But he gave them their bread.

When they appeared in his games and fantasies, Michael no longer rescued them, healed them, casually presented them with kingdoms and motor cars. Now he ordered them about, sent them away on disastrous missions, picked them out to be shot for cowardice in the face of the enemy. And because something similar to these fantasies was easier to enact in the real world than his earlier fantasies, Michael soon was ordering them about unreasonably in fact. He deliberately left them waiting; he sent them away and told them to come back on days when he knew he would be in town; he told them there was no bread in the house. And when he did give them anything, it was bread only now; never old toys or articles of clothing.

So, as the weeks passed, Michael’s scorn gave way to impatience and irritation, irritation to anger. What angered him most was that the two piccanins seemed too stupid to realize what he now felt about them, and instead of coming less frequently, continued to appear more often than ever before. Soon they were coming almost every day, though Michael shouted at them and teased them, left them waiting for hours, and made them do tricks and sing songs for their bread. They did everything he told them to do; but they altogether ignored his instructions as to which days they should come. Invariably, they would be waiting for him, in the shade of one of the trees that grew alongside the main road from school, or standing at the gate behind the house with sand scuffed up about their bare toes. They were as silent as before; but more persistent, inexorably persistent. Michael took to walking home by different routes, but they were not to be so easily discouraged. They simply waited at the back gate, and whether he went into the house by the front or the back gate he could not avoid seeing their upright, unmoving figures.

Finally, he told them to go and never come back at all. Often he had been tempted to do this, but some shame or pride had always prevented him from doing it; he had always weakened previously, and named a date, a week or two weeks ahead, when they could come again. But now he shouted at them, “It’s finished! No more bread—nothing! Come on, voetsak! If you come back I’ll tell the garden boy to chase you away.”

From then on they came every day. They no longer waited right at the back gate, but squatted in the sand across the lane. Michael was aware of their eyes following him when he went by, but they did not approach him at all. They did not even get up from the ground when he passed. A few times he shouted at them to go, and stamped his foot, but he shrank from hitting them. He did not want to touch them. Once he sent out Jan, the garden boy, to drive them away; but Jan, who had hitherto always shared Dora’s views on the piccanins, came back muttering angrily and incomprehensibly to himself; and when Michael peeped into the lane he saw that they were still there. Michael tried to ignore them, to pretend he did not see them. He hated them now; even more, he began to dread them.

But he did not know how much he hated and feared the two children until he fell ill with a cold, and lay feverish in bed for a few days. During those days the two children were constantly in his dreams, or in his half—dreams, for even as he dreamed he knew he was turning on his bed; he was conscious of the sun shining outside by day, and at night of the passage light that had been left on inside the house. In these dreams he struck and struck again at the children with weapons he found in his hands; he fled in fear from them down lanes so thick with sand his feet could barely move through it; he committed lewd, cruel acts upon the bare-thighed girl, and her brother shrieked to tell the empty street of what he was doing. Michael struck out at him with a piece of heavy cast-iron guttering. Its edge dug sharply into Michael’s hands as the blow fell, and when he lifted the weapon he saw the horror he had made of the side of the boy’s head, and how the one remaining eyeball still stared unwinkingly at him. Michael thought he was awake, and suddenly calm. The fever seemed to have left him. It was as though he had slept deeply, for days, after that last dream of violence; yet his impression was that he had woken directly from it. The bedclothes felt heavy on him, and he threw them off. The house was silent. He got out of bed and went to look at the clock in the kitchen: it was early afternoon. Dora and Jan were resting in their rooms across the yard, as they always did after lunch. Outside, the light of the sun was unremitting, a single golden glare. He walked back to his bedroom; there, he put on his dressing gown and slippers, feeling the coolness inside his slippers on his bare feet. He went through the kitchen again, quietly, and onto the back stoep, and then across the backyard. The sun seemed to seize his neck as firmly as a hand grasping, and its light was so bright he was aware of it only as a darkness beyond the little stretch of ground he looked down upon. He opened the back gate. Inevitably, as he had known they would be, the two were waiting.

He did not want to go beyond the gate in his pajamas and dressing gown, so, shielding his eyes from the glare with one hand, he beckoned them to him with the other. Together, in silence, they rose and crossed the lane. It seemed to take them a long time to come to him, but at last they stood in front of him, with their hands interlinked. Michael stared into their dark faces, and they stared into his.

“What are you waiting for?” he asked.

“For you.” First the boy answered; then the girl repeated, “For you.”

Michael looked from the one to the other; and he remembered what he had been doing to them in his dreams. Their eyes were black to look into. Staring forward, Michael understood what he should have understood long before: that they came to him not in hope or appeal or even in reproach, but in hatred. What he felt toward them, they felt toward him; what he had done to them in his dreams, they did to him in theirs.

The sun, their staring eyes, his own fear came together in a sound that seemed to hang in the air of the lane—a cry, the sound of someone weeping. Then Michael knew that it was he who was crying. He felt the heat of the tears in his eyes, he felt the moisture running down his cheeks. With the same fixity of decision that had been his in his dreams of violence and torture, Michael knew what he must do. He beckoned them forward, closer. They came. He stretched out his hands, he felt under his fingers the springy hair he had looked at so often before from the distance between himself and them; he felt the smooth skin of their faces; their frail, rounded shoulders, their hands. Their hands were in his, and he led them inside the gate.

He led them into the house, through the kitchen, down the passage, into his room, where they had never been before. They looked about at the pictures on the walls, the toys on top of the low cupboard, the twisted white sheets and tumbled blankets on the bed. They stood on both sides of him, and for the first time since he had met them, their lips parted into slow, grave smiles. Michael knew that what he had to give them was not toys or clothes or bread, but something more difficult. Yet it was not difficult at all, for there was nothing else he could give them. He took the girl’s face in his hands and pressed his lips to hers. He was aware of the darkness of her skin, and of the smell of it, and of the faint movement of her lips, a single pulse that beat momentarily against his own. Then it was gone. He kissed the boy, too, and let them go. They came together, and grasped each other by the hand, staring at him.

“What do you want now?” he asked.

A last anxiety flickered in Michael and left him, as the boy slowly shook his head. He began to step back, pulling his sister with him; when he was through the door he turned his back on Michael and they walked away down the passage. Michael watched them go. At the door of the kitchen, on their way out of the house, they paused, turned once more, and lifted their hands, the girl copying the boy, in a silent, tentative gesture of farewell.

Michael did not follow them. He heard the back gate swing open and then bang when it closed. He went wearily back to his bed, and as he fell upon it, his relief and gratitude that the bed should be there to receive him, changed suddenly into grief at the knowledge that he was already lying upon it—that he had never left it.

His cold grew worse, turned into bronchitis, kept him in bed for several weeks. But his dreams were no longer of violence; they were calm, spacious, and empty of people. As empty as the lane was, when he was at last allowed out of the house, and made his way there immediately, to see if the children were waiting for him.

He never saw them again, though he looked for them in the streets and lanes of the town. He saw a hundred, a thousand, children like them; but not the two he hoped to find.