Sorrow-Acre – Isak Dinesen

THE LOW, undulating Danish landscape was silent and serene, mysteriously wide-awake in the hour before sunrise. There was not a cloud in the pale sky, not a shadow along the dim, pearly fields, hills and woods. The mist was lifting from the valleys and hollows, the air was cool, the grass and the foliage dripping wet with morning-dew. Unwatched by the eyes of man, and undisturbed by his activity, the country breathed a timeless life, to which language was inadequate.

All the same, a human race had lived on this land for a thousand years, had been formed by its soil and weather, and had marked it with its thoughts, so that now no one could tell where the existence of the one ceased and the other began. The thin grey line of a road, winding across the plain and up and down hills, was the fixed materialisation of human longing, and of the human notion that it is better to be in one place than another.

A child of the country would read this open landscape like a book. The irregular mosaic of meadows and cornlands was a picture, in timid green and yellow, of the people’s struggle for its daily bread; the centuries had taught it to plough and sow in this way. On a distant hill the immovable wings of a windmill, in a small blue cross against the sky, delineated a later stage in the career of bread. The blurred outline of thatched roofs—a low, brown growth of the earth—where the huts of the village thronged together, told the history, from his cradle to his grave, of the peasant, the creature nearest to the soil and dependent on it, prospering in a fertile year and dying in years of drought and pests.

A little higher up, with the faint horizontal line of the white cemetery-wall round it, and the vertical contour of tall poplars by its side, the red-tiled church bore witness, as far as the eye reached, that this was a Christian country. The child of the land knew it as a strange house, inhabited only for a few hours every seventh day, but with a strong, clear voice in it to give out the joys and sorrows of the land: a plain, square embodiment of the nation’s trust in the justice and mercy of heaven. But where, amongst cupular woods and groves, the lordly, pyramidal silhouette of the cut lime avenues rose in the air, there a big country house lay.

The child of the land would read much within these elegant, geometrical ciphers on the hazy blue. They spoke of power, the lime trees paraded round a stronghold. Up here was decided the destiny of the surrounding land and of the men and beasts upon it, and the peasant lifted his eyes to the green pyramids with awe. They spoke of dignity, decorum and taste. Danish soil grew no finer flower than the mansion to which the long avenue led. In its lofty rooms life and death bore themselves with stately grace. The country house did not gaze upward, like the church, nor down to the ground like the huts; it had a wider earthly horizon than they, and was related to much noble architecture all over Europe. Foreign artisans had been called in to panel and stucco it, and its own inhabitants travelled and brought back ideas, fashions and things of beauty. Paintings, tapestries, silver and glass from distant countries had been made to feel at home here and now formed part of Danish country life.

The big house stood as firmly rooted in the soil of Denmark as the peasants’ huts, and was as faithfully allied to her four winds and her changing seasons, to her animal life, trees and flowers. Only its interests lay in a higher plane. Within the domain of the lime trees it was no longer cows, goats and pigs on which the minds and the talk ran, but horses and dogs. The wild fauna, the game of the land, that the peasant shook his fist at, when he saw it on his young green rye or in his ripening wheat field, to the residents of the country houses were the main pursuit and the joy of existence.

The writing in the sky solemnly proclaimed continuance, a worldly immortality. The great country houses had held their ground through many generations. The families who lived in them revered the past as they honoured themselves, for the history of Denmark was their own history.

A Rosenkrantz had sat at Rosenholm, a Juel at Hverringe, a Skeel at Gammel-Estrup as long as people remembered. They had seen kings and schools of style succeed one another and, proudly and humbly, had made over their personal existence to that of their land, so that amongst their equals and with the peasants they passed by its name: Rosenholm, Hverringe, Gammel-Estrup. To the King and the country, to his family and to the individual lord of the manor himself it was a matter of minor consequence which particular Rosenkrantz, Juel or Skeel, out of a long row of fathers and sons, at the moment in his person incarnated the fields and woods, the peasants, cattle and game of the estate. Many duties rested on the shoulders of the big landowners—towards God in heaven, towards the King, his neighbour and himself—and they were all harmoniously consolidated into the idea of his duties towards his land. Highest amongst these ranked his obligation to uphold the sacred continuance, and to produce a new Rosenkrantz, Juel or Skeel for the service of Rosenholm, Hverringe and Gammel-Estrup.

Female grace was prized in the manors. Together with good hunting and fine wine it was the flower and emblem of the higher existence led there, and in many ways the families prided themselves more on their daughters than on their sons.

The ladies who promenaded in the lime avenues, or drove through them in heavy coaches with four horses, carried the future of the name in their laps and were, like dignified and debonair caryatides, holding up the houses. They were themselves conscious of their value, kept up their price, and moved in a sphere of pretty worship and self-worship. They might even be thought to add to it, on their own, a graceful, arch, paradoxical haughtiness. For how free were they, how powerful! Their lords might rule the country, and allow themselves many liberties, but when it came to that supreme matter of legitimacy which was the vital principle of their world, the centre of gravity lay with them.

The lime trees were in bloom. But in the early morning only a faint fragrance drifted through the garden, an airy message, an aromatic echo of the dreams during the short summer night.

In a long avenue that led from the house all the way to the end of the garden, where, from a small white pavilion in the classic style, there was a great view over the fields, a young man walked. He was plainly dressed in brown, with pretty linen and lace, bareheaded, with his hair tied by a ribbon. He was dark, a strong and sturdy figure with fine eyes and hands; he limped a little on one leg.

The big house at the top of the avenue, the garden and the fields had been his childhood’s paradise. But he had travelled and lived out of Denmark, in Rome and Paris, and he was at present appointed to the Danish Legation to the Court of King George, the brother of the late, unfortunate young Danish Queen. He had not seen his ancestral home for nine years. It made him laugh to find, now, everything so much smaller than he remembered it, and at the same time he was strangely moved by meeting it again. Dead people came towards him and smiled at him; a small boy in a ruff ran past him with his hoop and kite, in passing gave him a clear glance and laughingly asked: “Do you mean to tell me that you are I?” He tried to catch him in the flight, and to answer him: “Yes, I assure you that I am you,” but the light figure did not wait for a reply.

The young man, whose name was Adam, stood in a particular relation to the house and the land. For six months he had been heir to it all; nominally he was so even at this moment. It was this circumstance which had brought him from England, and on which his mind was dwelling, as he walked along slowly.

The old lord up at the manor, his father’s brother, had had much misfortune in his domestic life. His wife had died young, and two of his children in infancy. The one son then left to him, his cousin’s playmate, was a sickly and morose boy. For ten years the father travelled with him from one watering place to another, in Germany and Italy, hardly ever in other company than that of his silent, dying child, sheltering the faint flame of life with both hands, until such time as it could be passed over to a new bearer of the name. At the same time another misfortune had struck him: he fell into disfavour at Court, where till now he had held a fine position. He was about to rehabilitate his family’s prestige through the marriage which he had arranged for his son, when before it could take place the bridegroom died, not yet twenty years old.

Adam learned of his cousin’s death, and his own changed fortune, in England, through his ambitious and triumphant mother. He sat with her letter in his hand and did not know what to think about it.

If this, he reflected, had happened to him while he was still a boy, in Denmark, it would have meant all the world to him. It would be so now with his friends and schoolfellows, if they were in his place, and they would, at this moment, be congratulating or envying him. But he was neither covetous nor vain by nature; he had faith in his own talents and had been content to know that his success in life depended on his personal ability. His slight infirmity had always set him a little apart from other boys; it had, perhaps, given him a keener sensibility of many things in life, and he did not, now, deem it quite right that the head of the family should limp on one leg. He did not even see his prospects in the same light as his people at home. In England he had met with greater wealth and magnificence than they dreamed of; he had been in love with, and made happy by, an English lady of such rank and fortune that to her, he felt, the finest estate of Denmark would look but like a child’s toy farm.

And in England, too, he had come in touch with the great new ideas of the age: of nature, of the right and freedom of man, of justice and beauty. The universe, through them, had become infinitely wider to him; he wanted to find out still more about it and was planning to travel to America, to the new world. For a moment he felt trapped and imprisoned, as if the dead people of his name, from the family vault at home, were stretching out their parched arms for him.

But at the same time he began to dream at night of the old house and garden. He had walked in these avenues in dream, and had smelled the scent of the flowering limes. When at Ranelagh an old gypsy woman looked at his hand and told him that a son of his was to sit in the seat of his fathers, he felt a sudden, deep satisfaction, queer in a young man who till now had never given his sons a thought.

Then, six months later, his mother again wrote to tell him that his uncle had himself married the girl intended for his dead son. The head of the family was still in his best age, not over sixty, and although Adam remembered him as a small, slight man, he was a vigorous person; it was likely that his young wife would bear him sons.

Adam’s mother in her disappointment lay the blame on him. If he had returned to Denmark, she told him, his uncle might have come to look upon him as a son, and would not have married; nay, he might have handed the bride over to him. Adam knew better. The family estate, differing from the neighbouring properties, had gone down from father to son ever since a man of their name first sat there. The tradition of direct succession was the pride of the clan and a sacred dogma to his uncle; he would surely call for a son of his own flesh and bone.

But at the news the young man was seized by a strange, deep, aching remorse towards his old home in Denmark. It was as if he had been making light of a friendly and generous gesture, and disloyal to someone unfailingly loyal to him. It would be but just, he thought, if from now the place should disown and forget him. Nostalgia, which before he had never known, caught hold of him; for the first time he walked in the streets and parks of London as a stranger.

He wrote to his uncle and asked if he might come and stay with him, begged leave from the Legation and took ship for Denmark. He had come to the house to make his peace with it; he had slept little in the night, and was up so early and walking in the garden, to explain himself, and to be forgiven.

While he walked, the still garden slowly took up its day’s work. A big snail, of the kind that his grandfather had brought back from France, and which he remembered eating in the house as a child, was already, with dignity, dragging a silver train down the avenue. The birds began to sing; in an old tree under which he stopped a number of them were worrying an owl; the rule of the night was over.

He stood at the end of the avenue and saw the sky lightening. An ecstatic clarity filled the world; in half an hour the sun would rise. A rye field here ran along the garden; two roe-deer were moving in it and looked roseate in the dawn. He gazed out over the fields, where as a small boy he had ridden his pony, and towards the wood where he had killed his first stag. He remembered the old servants who had taught him; some of them were now in their graves.

The ties which bound him to this place, he reflected, were of a mystic nature. He might never again come back to it, and it would make no difference. As long as a man of his own blood and name should sit in the house, hunt in the fields and be obeyed by the people in the huts, wherever he travelled on earth, in England or amongst the red Indians of America, he himself would still be safe, would still have a home, and would carry weight in the world.

His eyes rested on the church. In old days, before the time of Martin Luther, younger sons of great families, he knew, had entered the Church of Rome, and had given up individual wealth and happiness to serve the greater ideals. They, too, had bestowed honour upon their homes and were remembered in its registers. In the solitude of the morning half in jest he let his mind run as it listed; it seemed to him that he might speak to the land as to a person, as to the mother of his race. “Is it only my body that you want,” he asked her, “while you reject my imagination, energy and emotions? If the world might be brought to acknowledge that the virtue of our name does not belong to the past only, will it give you no satisfaction?” The landscape was so still that he could not tell whether it answered him yes or no.

After a while he walked on, and came to the new French rose garden laid out for the young mistress of the house. In England he had acquired a freer taste in gardening, and he wondered if he could liberate these blushing captives, and make them thrive outside their cut hedges. Perhaps, he meditated, the elegantly conventional garden would be a floral portrait of his young aunt from Court, whom he had not yet seen.

As once more he came to the pavilion at the end of the avenue his eyes were caught by a bouquet of delicate colours which could not possibly belong to the Danish summer morning. It was in fact his uncle himself, powdered and silk-stockinged, but still in a brocade dressing-gown, and obviously sunk in deep thought. “And what business, or what meditations,” Adam asked himself, “drags a connoisseur of the beautiful, but three months married to a wife of seventeen, from his bed into his garden before sunrise?” He walked up to the small, slim, straight figure.

His uncle on his side showed no surprise at seeing him, but then he rarely seemed surprised at anything. He greeted him, with a compliment on his matunality, as kindly as he had done on his arrival last evening. After a moment he looked to the sky, and solemnly proclaimed: “It will be a hot day.” Adam, as a child, had often been impressed by the grand, ceremonial manner in which the old lord would state the common happenings of existence; it looked as if nothing had changed here, but all was what it used to be.

The uncle offered the nephew a pinch of snuff. “No, thank you, Uncle,” said Adam, “it would ruin my nose to the scent of your garden, which is as fresh as the Garden of Eden, newly created.” “From every tree of which,” said his uncle, smiling, “thou, my Adam, mayest freely eat.” They slowly walked up the avenue together.

The hidden sun was now already gilding the top of the tallest trees. Adam talked of the beauties of nature, and of the greatness of Nordic scenery, less marked by the hand of man than that of Italy. His uncle took the praise of the landscape as a personal compliment, and congratulated him because he had not, in likeness to many young travellers in foreign countries, learned to despise his native land. No, said Adam, he had lately in England longed for the fields and woods of his Danish home. And he had there become acquainted with a new piece of Danish poetry which had enchanted him more than any English or French work. He named the author, Johannes Ewald, and quoted a few of the mighty, turbulent verses.

“And I have wondered, while I read,” he went on after a pause, still moved by the lines he himself had declaimed, “that we have not till now understood how much our Nordic mythology in moral greatness surpasses that of Greece and Rome. If it had not been for the physical beauty of the ancient gods, which has come down to us in marble, no modern mind could hold them worthy of worship. They were mean, capricious and treacherous. The gods of our Danish forefathers are as much more divine than they as the Druid is nobler than the Augur. For the fair gods of Asgaard did possess the sublime human virtues; they were righteous, trustworthy, benevolent and even, within a barbaric age, chivalrous.” His uncle here for the first time appeared to take any real interest in the conversation. He stopped, his majestic nose a little in the air. “Ah, it was easier to them,” he said.

“What do you mean, Uncle?” Adam asked. “It was a great deal easier,” said his uncle, “to the northern gods than to those of Greece to be, as you will have it, righteous and benevolent. To my mind it even reveals a weakness in the souls of our ancient Danes that they should consent to adore such divinities.” “My dear uncle,” said Adam, smiling, “I have always felt that you would be familiar with the modes of Olympus. Now please let me share your insight, and tell me why virtue should come easier to our Danish gods than to those of milder climates.” “They were not as powerful,” said his uncle.

“And does power,” Adam again asked, “stand in the way of virtue?” “Nay,” said his uncle gravely. “Nay, power is in itself the supreme virtue. But the gods of which you speak were never all-powerful. They had, at all times, by their side those darker powers which they named the Jotuns, and who worked the suffering, the disasters, the ruin of our world. They might safely give themselves up to temperance and kindness. The omnipotent gods,” he went on, “have no such facilitation. With their omnipotence they take over the woe of the universe.”

They had walked up the avenue till they were in view of the house. The old lord stopped and ran his eyes over it. The stately building was the same as ever; behind the two tall front windows, Adam knew, was now his young aunt’s room. His uncle turned and walked back.

“Chivalry,” he said, “chivalry, of which you were speaking, is not a virtue of the omnipotent. It must needs imply mighty rival powers for the knight to defy. With a dragon inferior to him in strength, what figure will St. George cut? The knight who finds no superior forces ready to hand must invent them, and combat wind-mills; his knighthood itself stipulates dangers, vileness, darkness on all sides of him. Nay, believe me, my nephew, in spite of his moral worth, your chivalrous Odin of Asgaard as a Regent must take rank below that of Jove who avowed his sovereignty, and accepted the world which he ruled. But you are young,” he added, “and the experience of the aged to you will sound pedantic.”

He stood immovable for a moment and then with deep gravity proclaimed: “The sun is up.”

The sun did indeed rise above the horizon. The wide landscape was suddenly animated by its splendour, and the dewy grass shone in a thousand gleams.

“I have listened to you, Uncle,” said Adam, “with great interest. But while we have talked you yourself have seemed to me preoccupied; your eyes have rested on the field outside the garden, as if something of great moment, a matter of life and death, was going on there. Now that the sun is up, I see the mowers in the rye and hear them whetting their sickles. It is, I remember you telling me, the first day of the harvest. That is a great day to a landowner and enough to take his mind away from the gods. It is very fine weather, and I wish you a full barn.”

The elder man stood still, his hands on his walking-stick. “There is indeed,” he said at last, “something going on in that field, a matter of life and death. Come, let us sit down here, and I will tell you the whole story.” They sat down on the seat that ran all along the pavilion, and while he spoke the old lord of the land did not take his eyes off the rye field.

“A week ago, on Thursday night,” he said, “someone set fire to my barn at Rødmosegaard—you know the place, close to the moor—and burned it all down. For two or three days we could not lay hands on the offender. Then on Monday morning the keeper at Rødmose, with the wheelwright over there, came up to the house; they dragged with them a boy, Goske Piil, a widow’s son, and they made their Bible oath that he had done it; they had themselves seen him sneaking round the barn by nightfall on Thursday. Goske had no good name on the farm; the keeper bore him a grudge upon an old matter of poaching, and the wheelwright did not like him either, for he did, I believe, suspect him with his young wife. The boy, when I talked to him, swore to his innocence, but he could not hold his own against the two old men. So I had him locked up, and meant to send him in to our judge of the district, with a letter.

“The judge is a fool, and would naturally do nothing but what he thought I wished him to do. He might have the boy sent to the convict prison for arson, or put amongst the soldiers as a bad character and a poacher. Or again, if he thought that that was what I wanted, he could let him off.

“I was out riding in the fields, looking at the corn that was soon ripe to be mowed, when a woman, the widow, Goske’s mother, was brought up before me, and begged to speak to me. Anne-Marie is her name. You will remember her; she lives in the small house east of the village. She has not got a good name in the place either. They tell as a girl she had a child and did away with it.

“From five days’ weeping her voice was so cracked that it was difficult for me to understand what she said. Her son, she told me at last, had indeed been over at Rødmose on Thursday, but for no ill purpose; he had gone to see someone. He was her only son, she called the Lord God to witness on his innocence, and she wrung her hands to me that I should save the boy for her.

“We were in the rye field that you and I are looking at now. That gave me an idea. I said to the widow: ‘If in one day, between sunrise and sunset, with your own hands you can mow this field, and it be well done, I will let the case drop and you shall keep your son. But if you cannot do it, he must go, and it is not likely that you will then ever see him again.’

“She stood up then and gazed over the field. She kissed my riding boot in gratitude for the favour shown to her.”

The old lord here made a pause, and Adam said: “Her son meant much to her?” “He is her only child,” said his uncle. “He means to her her daily bread and support in old age. It may be said that she holds him as dear as her own life. As,” he added, “within a higher order of life, a son to his father means the name and the race, and he holds him as dear as life everlasting. Yes, her son means much to her. For the mowing of that field is a day’s work to three men, or three days’ work to one man. Today, as the sun rose, she set to her task. And down there, by the end of the field, you will see her now, in a blue head-cloth, with the man I have set to follow her and to ascertain that she does the work unassisted, and with two or three friends by her, who are comforting her.”

Adam looked down, and did indeed see a woman in a blue head-cloth, and a few other figures in the corn.

They sat for a while in silence. “Do you yourself,” Adam then said, “believe the boy to be innocent?” “I cannot tell,” said his uncle. “There is no proof. The word of the keeper and the wheelwright stand against the boy’s word. If indeed I did believe the one thing or the other, it would be merely a matter of chance, or maybe of sympathy. The boy,” he said after a moment, “was my son’s playmate, the only other child that I ever knew him to like or to get on with.” “Do you,” Adam again asked, “hold it possible to her to fulfill your condition?” “Nay, I cannot tell,” said the old lord. “To an ordinary person it would not be possible. No ordinary person would ever have taken it on at all. I chose it so. We are not quibbling with the law, Anne-Marie and I.”

Adam for a few minutes followed the movement of the small group in the rye. “Will you walk back?” he asked. “No,” said his uncle, “I think that I shall stay here till I have seen the end of the thing.” “Until sunset?” Adam asked with surprise. “Yes,” said the old lord. Adam said: “It will be a long day.” “Yes,” said his uncle, “a long day. But,” he added, as Adam rose to walk away, “if, as you said, you have got that tragedy of which you spoke in your pocket, be as kind as to leave it here, to keep me company.” Adam handed him the book.

In the avenue he met two footmen who carried the old lord’s morning chocolate down to the pavilion on large silver trays.

As now the sun rose in the sky, and the day grew hot, the lime trees gave forth their exuberance of scent, and the garden was filled with unsurpassed, unbelievable sweetness. Towards the still hour of midday the long avenue reverberated like a soundboard with a low, incessant murmur: the humming of a million bees that clung to the pendulous, thronging clusters of blossoms and were drunk with bliss.

In all the short lifetime of Danish summer there is no richer or more luscious moment than that week wherein the lime trees flower. The heavenly scent goes to the head and to the heart; it seems to unite the fields of Denmark with those of Elysium; it contains both hay, honey and holy incense, and is half fairy-land and half apothecary’s locker. The avenue was changed into a mystic edifice, a dryad’s cathedral, outward from summit to base lavishly adorned, set with multitudinous ornaments, and golden in the sun. But behind the walls the vaults were benignly cool and sombre, like ambrosial sanctuaries in a dazzling and burning world, and in here the ground was still moist.

Up in the house, behind the silk curtains of the two front windows, the young mistress of the estate from the wide bed stuck her feet into two little high-heeled slippers. Her lace-trimmed nightgown had slid up above her knee and down from the shoulder; her hair, done up in curling-pins for the night, was still frosty with the powder of yesterday, her round face flushed with sleep. She stepped out to the middle of the floor and stood there, looking extremely grave and thoughtful, yet she did not think at all. But through her head a long procession of pictures marched, and she was unconsciously endeavouring to put them in order, as the pictures of her existence had used to be.

She had grown up at Court; it was her world, and there was probably not in the whole country a small creature more exquisitely and innocently drilled to the stately measure of a palace. By favour of the old Dowager Queen she bore her name and that of the King’s sister, the Queen of Sweden: Sophie Magdalena. It was with a view to these things that her husband, when he wished to restore his status in high places, had chosen her as a bride, first for his son and then for himself. But her own father, who held an office in the Royal Household and belonged to the new Court aristocracy, in his day had done the same thing the other way round, and had married a country lady, to get a foothold within the old nobility of Denmark. The little girl had her mother’s blood in her veins. The country to her had been an immense surprise and delight.

To get into her castle-court she must drive through the farm yard, through the heavy stone gateway in the barn itself, wherein the rolling of her coach for a few seconds re-echoed like thunder. She must drive past the stables and the timber-mare, from which sometimes a miscreant would follow her with sad eyes, and might here startle a long string of squalling geese, or pass the heavy, scowling bull, led on by a ring in his nose and kneading the earth in dumb fury. At first this had been to her, every time, a slight shock and a jest. But after a while all these creatures and things, which belonged to her, seemed to become part of herself. Her mothers, the old Danish country ladies, were robust persons, undismayed by any kind of weather; now she herself had walked in the rain and had laughed and glowed in it like a green tree.

She had taken her great new home in possession at a time when all the world was unfolding, mating and propagating. Flowers, which she had known only in bouquets and festoons, sprung from the earth round her; birds sang in all the trees. The new-born lambs seemed to her daintier than her dolls had been. From her husband’s Hanoverian stud, foals were brought to her to give names; she stood and watched as they poked their soft noses into their mothers’ bellies to drink. Of this strange process she had till now only vaguely heard. She had happened to witness, from a path in the park, the rearing and screeching stallion on the mare. All this luxuriance, lust and fecundity was displayed before her eyes, as for her pleasure.

And for her own part, in the midst of it, she was given an old husband who treated her with punctilious respect because she was to bear him a son. Such was the compact; she had known of it from the beginning. Her husband, she found, was doing his best to fulfill his part of it, and she herself was loyal by nature and strictly brought up. She would not shirk her obligation. Only she was vaguely aware of a discord or an incompatibility within her majestic existence, which prevented her from being as happy as she had expected to be.

After a time her chagrin took a strange form: as the consciousness of an absence. Someone ought to have been with her who was not. She had no experience in analysing her feelings; there had not been time for that at Court. Now, as she was more often left to herself, she vaguely probed her own mind. She tried to set her father in that void place, her sisters, her music master, an Italian singer whom she had admired; but none of them would fill it for her. At times she felt lighter at heart, and believed the misfortune to have left her. And then again it would happen, if she were alone, or in her husband’s company, and even within his embrace, that everything round her would cry out: Where? Where? so that she let her wild eyes run about the room in search for the being who should have been there, and who had not come.

When, six months ago, she was informed that her first young bridegroom had died and that she was to marry his father in his place, she had not been sorry. Her youthful suitor, the one time she had seen him, had appeared to her infantile and insipid; the father would make a statelier consort. Now she had sometimes thought of the dead boy, and wondered whether with him life would have been more joyful. But she soon again dismissed the picture, and that was the sad youth’s last recall to the stage of this world.

Upon one wall of her room there hung a long mirror. As she gazed into it new images came along. The day before, driving with her husband, she had seen, at a distance, a party of village girls bathe in the river, and the sun shining on them. All her life she had moved amongst naked marble deities, but it had till now never occurred to her that the people she knew should themselves be naked under their bodices and trains, waistcoats and satin breeches, that indeed she herself felt naked within her clothes. Now, in front of the looking-glass, she tardily untied the ribbons of her nightgown, and let it drop to the floor.

The room was dim behind the drawn curtains. In the mirror her body was silvery like a white rose; only her cheeks and mouth, and the tips of her fingers and breasts had a faint carmine. Her slender torso was formed by the whalebones that had clasped it tightly from her childhood; above the slim, dimpled knee a gentle narrowness marked the place of the garter. Her limbs were rounded as if, at whatever place they might be cut through with a sharp knife, a perfectly circular transverse incision would be obtained. The side and belly were so smooth that her own gaze slipped and glided, and grasped for a hold. She was not altogether like a statue, she found, and lifted her arms above her head. She turned to get a view of her back, the curves below the waistline were still blushing from the pressure of the bed. She called to mind a few tales about nymphs and goddesses, but they all seemed a long way off, so her mind returned to the peasant girls in the river. They were, for a few minutes, idealized into playmates, or sisters even, since they belonged to her as did the meadow and the blue river itself. And within the next moment the sense of forlornness once more came upon her, a horror vaccui like a physical pain. Surely, surely someone should have been with her now, her other self, like the image in the glass, but nearer, stronger, alive. There was no one, the universe was empty round her.

A sudden, keen itching under her knee took her out of her reveries, and awoke in her the hunting instincts of her breed. She wetted a finger on her tongue, slowly brought it down and quickly slapped it to the spot. She felt the diminutive, sharp body of the insect against the silky skin, pressed the thumb to it, and triumphantly lifted up the small prisoner between her fingertips. She stood quite still, as if meditating upon the fact that a flea was the only creature risking its life for her smoothness and sweet blood.

Her maid opened the door and came in, loaded with the attire of the day—shift, stays, hoop and petticoats. She remembered that she had a guest in the house, the new nephew arrived from England. Her husband had instructed her to be kind to their young kinsman, disinherited, so to say, by her presence in the house. They would ride out on the land together.

In the afternoon the sky was no longer blue as in the morning. Large clouds slowly towered up on it, and the great vault itself was colourless, as if diffused into vapours round the white-hot sun in zenith. A low thunder ran along the western horizon; once or twice the dust of the roads rose in tall spirals. But the fields, the hills and the woods were as still as a painted landscape.

Adam walked down the avenue to the pavilion, and found his uncle there, fully dressed, his hands upon his walking-stick and his eyes on the rye field. The book that Adam had given him lay by his side. The field now seemed alive with people. Small groups stood here and there in it, and a long row of men and women were slowly advancing towards the garden in the line of the swath.

The old lord nodded to his nephew, but did not speak or change his position. Adam stood by him as still as himself.

The day to him had been strangely disquieting. At the meeting again with old places the sweet melodies of the past had filled his senses and his mind, and had mingled with new, bewitching tunes of the present. He was back in Denmark, no longer a child but a youth, with a keener sense of the beautiful, with tales of other countries to tell, and still a true son of his own land and enchanted by its loveliness as he had never been before.

But through all these harmonies the tragic and cruel tale which the old lord had told him in the morning, and the sad contest which he knew to be going on so near by, in the corn field, had re-echoed, like the recurrent, hollow throbbing of a muffled drum, a redoubtable sound. It came back time after time, so that he had felt himself to change colour and to answer absently. It brought with it a deeper sense of pity with all that lived than he had ever known. When he had been riding with his young aunt, and their road ran along the scene of the drama, he had taken care to ride between her and the field, so that she should not see what was going on there, or question him about it. He had chosen the way home through the deep, green wood for the same reason.

More dominantly even than the figure of the woman struggling with her sickle for her son’s life, the old man’s figure, as he had seen it at sunrise, kept him company through the day. He came to ponder on the part which that lonely, determinate form had played in his own life. From the time when his father died, it had impersonated to the boy law and order, wisdom of life and kind guardianship. What was he to do, he thought, if after eighteen years these filial feelings must change, and his second father’s figure take on to him a horrible aspect, as a symbol of the tyranny and oppression of the world? What was he to do if ever the two should come to stand in opposition to each other as adversaries?

At the same time an unaccountable, a sinister alarm and dread on behalf of the old man himself took hold of him. For surely here the Goddess Nemesis could not be far away. This man had ruled the world round him for a longer period than Adam’s own lifetime and had never been gainsaid by anyone. During the years when he had wandered through Europe with a sick boy of his own blood as his sole companion he had learned to set himself apart from his surroundings, and to close himself up to all outer life, and he had become insusceptible to the ideas and feelings of other human beings. Strange fancies might there have run in his mind, so that in the end he had seen himself as the only person really existing, and the world as a poor and vain shadow-play, which had no substance to it.

Now, in senile wilfullness, he would take in his hand the life of those simpler and weaker than himself, of a woman, using it to his own ends, and he feared of no retributive justice. Did he not know, the young man thought, that there were powers in the world, different from and more formidable than the short-lived might of a despot?

With the sultry heat of the day this foreboding of impending disaster grew upon him, until he felt ruin threatening not the old lord only, but the house, the name and himself with him. It seemed to him that he must cry out a warning to the man he had loved, before it was too late.

But as now he was once more in his uncle’s company, the green calm of the garden was so deep that he did not find his voice to cry out. Instead a little French air which his aunt had sung to him up in the house kept running in his mind.—“C’est un trop doux effort …” He had good knowledge of music; he had heard the air before, in Paris, but not so sweetly sung.

After a time he asked: “Will the woman fulfill her bargain?” His uncle unfolded his hands. “It is an extraordinary thing,” he said animatedly, “that it looks as if she might fulfill it. If you count the hours from sunrise till now, and from now till sunset, you will find the time left her to be half of that already gone. And see! She has now mowed two-thirds of the field. But then we will naturally have to reckon with her strength declining as she works on. All in all, it is an idle pursuit in you or me to bet on the issue of the matter; we must wait and see. Sit down, and keep me company in my watch.” In two minds Adam sat down.

“And here,” said his uncle, and took up the book from the seat, “is your book, which has passed the time finely. It is great poetry, ambrosia to the ear and the heart. And it has, with our discourse on divinity this morning, given me stuff for thought. I have been reflecting upon the law of retributive justice.” He took a pinch of snuff, and went on. “A new age,” he said, “has made to itself a god in its own image, an emotional god. And now you are already writing a tragedy on your god.”

Adam had no wish to begin a debate on poetry with his uncle, but he also somehow dreaded a silence, and said: “It may be, then, that we hold tragedy to be, in the scheme of life, a noble, a divine phenomenon.”

“Aye,” said his uncle solemnly, “a noble phenomenon, the noblest on earth. But of the earth only, and never divine. Tragedy is the privilege of man, his highest privilege. The God of the Christian Church Himself, when He wished to experience tragedy, had to assume human form. And even at that,” he added thoughtfully, “the tragedy was not wholly valid, as it would have become had the hero of it been, in very truth, a man. The divinity of Christ conveyed to it a divine note, the moment of comedy, The real tragic part, by the nature of things, fell to the executors, not to the victim. Nay, my nephew, we should not adulterate the pure elements of the cosmos. Tragedy should remain the right of human beings, subject, in their conditions or in their own nature, to the dire law of necessity. To them it is salvation and beatification. But the gods, whom we must believe to be unacquainted with and incomprehensive of necessity, can have no knowledge of the tragic. When they are brought face to face with it they will, according to my experience, have the good taste and decorum to keep still, and not interfere.

“No,” he said after a pause, “the true art of the gods is the comic. The comic is a condescension of the divine to the world of man; it is the sublime vision, which cannot be studied, but must ever be celestially granted. In the comic the gods see their own being reflected as in a mirror, and while the tragic poet is bound by strict laws, they will allow the comic artist a freedom as unlimited as their own. They do not even withhold their own existence from his sports. Jove may favour Lucianos of Samosata. As long as your mockery is in true godly taste you may mock at the gods and still remain a sound devotee. But in pitying, or condoling with your god, you deny and annihilate him, and such is the most horrible of atheisms.

“And here on earth, too,” he went on, “we, who stand in lieu of the gods and have emancipated ourselves from the tyranny of necessity, should leave to our vassals their monopoly of tragedy, and for ourselves accept the comic with grace. Only a boorish and cruel master—a parvenu, in fact—will make a jest of his servants’ necessity, or force the comic upon them. Only a timid and pedantic ruler, a petit-maître, will fear the ludicrous on his own behalf. Indeed,” he finished his long speech, “the very same fatality, which, in striking the burgher or peasant, will become tragedy, with the aristocrat is exalted to the comic. By the grace and wit of our acceptance hereof our aristocracy is known.”

Adam could not help smiling a little as he heard the apotheosis of the comic on the lips of the erect, ceremonious prophet. In this ironic smile he was, for the first time, estranging himself from the head of his house.

A shadow fell across the landscape. A cloud had crept over the sun; the country changed colour beneath it, faded and bleached, and even all sounds for a minute seemed to die out of it.

“Ah, now,” said the old lord, “if it is going to rain, and the rye gets wet, Anne-Marie will not be able to finish in time. And who comes there?” he added, and turned his head a little.

Preceded by a lackey a man in riding boots and a striped waistcoat with silver buttons, and with his hat in his hand, came down the avenue. He bowed deeply, first to the old lord and then to Adam.

“My bailiff,” said the old lord. “Good afternoon, Bailiff. What news have you to bring?” The bailiff made a sad gesture. “Poor news only, my lord,” he said. “And how poor news?” asked his master. “There is,” said the bailiff with weight, “not a soul at work on the land, and not a sickle going except that of Anne-Marie in this rye field. The mowing has stopped; they are all at her heels. It is a poor day for a first day of the harvest.” “Yes, I see,” said the old lord. The bailiff went on. “I have spoken kindly to them,” he said, “and I have sworn at them; it is all one. They might as well all be deaf.”

“Good bailiff,” said the old lord, “leave them in peace; let them do as they like. This day may, all the same, do them more good than many others. Where is Goske, the boy, Anne-Marie’s son?” “We have set him in the small room by the barn,” said the bailiff. “Nay, let him be brought down,” said the old lord; “let him see his mother at work. But what do you say—will she get the field mowed in time?” “If you ask me, my lord,” said the bailiff, “I believe that she will. Who would have thought so? She is only a small woman. It is as hot a day today as, well, as I do ever remember. I myself, you yourself, my lord, could not have done what Anne-Marie has done today.” “Nay, nay, we could not, Bailiff,” said the old lord.

The bailiff pulled out a red handkerchief and wiped his brow, somewhat calmed by venting his wrath. “If,” he remarked with bitterness, “they would all work as the widow works now, we would make a profit on the land.” “Yes,” said the old lord, and fell into thought, as if calculating the profit it might make. “Still,” he said, “as to the question of profit and loss, that is more intricate than it looks. I will tell you something that you may not know: The most famous tissue ever woven was ravelled out again every night. But come,” he added, “she is close by now. We will go and have a look at her work ourselves.” With these words he rose and set his hat on.

The cloud had drawn away again; the rays of the sun once more burned the wide landscape, and as the small party walked out from under the shade of the trees the dead-still heat was heavy as lead; the sweat sprang out on their faces and their eyelids smarted. On the narrow path they had to go one by one, the old lord stepping along first, all black, and the footman, in his bright livery, bringing up the rear.

The field was indeed filled with people like a market-place; there were probably a hundred or more men and women in it. To Adam the scene recalled pictures from his Bible: the meeting between Esau and Jacob in Edom, or Boas’ reapers in his barley field near Bethlehem. Some were standing by the side of the field, others pressed in small groups close to the mowing woman, and a few followed in her wake, binding up sheaves where she had cut the corn, as if thereby they thought to help her, or as if by all means they meant to have part in her work. A younger woman with a pail on her head kept close to her side, and with her a number of half-grown children. One of these first caught sight of the lord of the estate and his suite, and pointed to him. The binders let their sheaves drop, and as the old man stood still many of the onlookers drew close round him.

The woman on whom till now the eyes of the whole field had rested—a small figure on the large stage—was advancing slowly and unevenly, bent double as if she were walking on her knees, and stumbling as she walked. Her blue head-cloth had slipped back from her head; the grey hair was plastered to the skull with sweat, dusty and stuck with straw. She was obviously totally unaware of the multitude round her; neither did she now once turn her head or her gaze towards the new arrivals.

Absorbed in her work she again and again stretched out her left hand to grasp a handful of corn, and her right hand with the sickle in it to cut it off close to the soil, in wavering, groping pulls, like a tired swimmer’s strokes. Her course took her so close to the feet of the old lord that his shadow fell on her. Just then she staggered and swayed sideways, and the woman who followed her lifted the pail from her head and held it to her lips. Anne-Marie drank without leaving her hold on her sickle, and the water ran from the corners of her mouth. A boy, close to her, quickly bent one knee, seized her hands in his own and, steadying and guiding them, cut off a gripe of rye. “No, no,” said the old lord, “you must not do that, boy. Leave Anne-Marie in peace to her work.” At the sound of his voice the woman, falteringly, lifted her face in his direction.

The bony and tanned face was streaked with sweat and dust; the eyes were dimmed. But there was not in its expression the slightest trace of fear or pain. Indeed amongst all the grave and concerned faces of the field hers was the only one perfectly calm, peaceful and mild. The mouth was drawn together in a thin line, a prim, keen, patient little smile, such as will be seen in the face of an old woman at her spinning-wheel or her knitting, eager on her work, and happy in it. And as the younger women lifted back the pail, she immediately again fell to her mowing, with an ardent, tender craving, like that of a mother who lays a baby to the nipple. Like an insect that bustles along in high grass, or like a small vessel in a heavy sea, she butted her way on, her quiet face once more bent upon her task.

The whole throng of onlookers, and with them the small group from the pavilion, advanced as she advanced, slowly and as if drawn by a string. The bailiff, who felt the intense silence of the field heavy on him, said to the old lord: “The rye will yield better this year than last,” and got no reply. He repeated his remark to Adam, and at last to the footman, who felt himself above a discussion on agriculture, and only cleared his throat in answer. In a while the bailiff again broke the silence. “There is the boy,” he said and pointed with his thumb. “They have brought him down.” At that moment the woman fell forward on her face and was lifted up by those nearest to her.

Adam suddenly stopped on the path, and covered his eyes with his hand. The old lord without turning asked him if he felt incommoded by the heat. “No,” said Adam, “but stay. Let me speak to you.” His uncle stopped, with his hand on the stick and looking ahead, as if regretful of being held back.

“In the name of God,” cried the young man in French, “force not this woman to continue.” There was a short pause. “But I force her not, my friend,” said his uncle in the same language. “She is free to finish at any moment.” “At the cost of her child only,” again cried Adam. “Do you not see that she is dying? You know not what you are doing, or what it may bring upon you.”

The old lord, perplexed by this unexpected animadversion, after a second turned all round, and his pale, clear eyes sought his nephew’s face with stately surprise. His long, waxen face, with two symmetrical curls at the sides, had something of the mien of an idealized and ennobled old sheep or ram. He made sign to the bailiff to go on. The footman also withdrew a little, and the uncle and nephew were, so to say, alone on the path. For a minute neither of them spoke.

“In this very place where we now stand,” said the old lord, then, with hauteur, “I gave Anne-Marie my word.”

“My uncle!” said Adam. “A life is a greater thing even than a word. Recall that word, I beseech you, which was given in caprice, as a whim. I am praying you more for your sake than for my own, yet I shall be grateful to you all my life if you will grant me my prayer.”

“You will have learned in school,” said his uncle, “that in the beginning was the word. It may have been pronounced in caprice, as a whim, the Scripture tells us nothing about it. It is still the principle of our world, its law of gravitation. My own humble word has been the principle of the land on which we stand, for an age of man. My father’s word was the same, before my day.”

“You are mistaken,” cried Adam. “The word is creative—it is imagination, daring and passion. By it the world was made. How much greater are these powers which bring into being than any restricting or controlling law! You wish the land on which we look to produce and propagate; you should not banish from it the forces which cause, and which keep up life, nor turn it into a desert by dominance of law. And when you look at the people, simpler than we and nearer to the heart of nature, who do not analyse their feelings, whose life is one with the life of the earth, do they not inspire in you tenderness, respect, reverence even? This woman is ready to die for her son; will it ever happen to you or me that a woman willingly gives up her life for us? And if it did indeed come to pass, should we make so light of it as not to give up a dogma in return?”

“You are young,” said the old lord. “A new age will undoubtedly applaud you. I am old-fashioned, I have been quoting to you texts a thousand years old. We do not, perhaps, quite understand one another. But with my own people I am, I believe, in good understanding. Anne-Marie might well feel that I am making light of her exploit, if now, at the eleventh hour, I did nullify it by a second word. I myself should feel so in her place. Yes, my nephew, it is possible, did I grant you your prayer and pronounce such an amnesty, that I should find it void against her faithfulness, and that we would still see her at her work, unable to give it up, as a shuttle in the rye field, until she had it all mowed. But she would then be a shocking, a horrible sight, a figure of unseemly fun, like a small planet running wild in the sky, when the law of gravitation had been done away with.”

“And if she dies at her task,” Adam exclaimed, “her death, and its consequences will come upon your head.”

The old lord took off his hat and gently ran his hand over his powdered head. “Upon my head?” he said. “I have kept up my head in many weathers. Even,” he added proudly, “against the cold wind from high places. In what shape will it come upon my head, my nephew?” “I cannot tell,” cried Adam in despair. “I have spoken to warn you. God only knows.” “Amen,” said the old lord with a little delicate smile, “Come, we will walk on.” Adam drew in his breath deeply.

“No,” he said in Danish. “I cannot come with you. This field is yours; things will happen here as you decide. But I myself must go away. I beg you to let me have, this evening, a coach as far as town. For I could not sleep another night under your roof, which I have honoured beyond any on earth.” So many conflicting feelings at his own speech thronged in his breast that it would have been impossible for him to give them words.

The old lord, who had already begun to walk on, stood still, and with him the lackey. He did not speak for a minute, as if to give Adam time to collect his mind. But the young man’s mind was in uproar and would not be collected.

“Must we,” the old man asked, in Danish, “take leave here, in the rye field? I have held you dear, next to my own son. I have followed your career in life from year to year, and have been proud of you. I was happy when you wrote to say that you were coming back. If now you will go away, I wish you well.” He shifted his walking-stick from the right hand to the left and gravely looked his nephew in the face.

Adam did not meet his eyes. He was gazing out over the landscape. In the late mellow afternoon it was resuming its colours, like a painting brought into proper light; in the meadows the little black stacks of peat stood gravely distinct upon the green sward. On this same morning he had greeted it all, like a child running laughingly to its mother’s bosom; now already he must tear himself from it, in discordance, and forever. And at the moment of parting it seemed infinitely dearer than any time before, so much beautified and solemnized by the coming separation that it looked like the place in a dream, a landscape out of paradise, and he wondered if it was really the same. But, yes—there before him was, once more, the hunting-ground of long ago. And there was the road on which he had ridden today.

“But tell me where you mean to go from here,” said the old lord slowly. “I myself have travelled a good deal in my days. I know the word of leaving, the wish to go away. But I have learned by experience that, in reality, the word has a meaning only to the place and the people which one leaves. When you have left my house—although it will see you go with sadness—as far as it is concerned the matter is finished and done with. But to the person who goes away it is a different thing, and not so simple. At the moment that he leaves one place he will be already, by the laws of life, on his way to another, upon this earth. Let me know, then, for the sake of our old acquaintance, to which place you are going when you leave here. To England?”

“No,” said Adam. He felt in his heart that he could never again go back to England or to his easy and carefree life there. It was not far enough away; deeper waters than the North Sea must now be laid between him and Denmark. “No, not to England,” he said. “I shall go to America, to the new world.” For a moment he shut his eyes, trying to form to himself a picture of existence in America, with the grey Atlantic Ocean between him and these fields and woods.

“To America?” said his uncle and drew up his eyebrows. “Yes, I have heard of America. They have got freedom there, a big waterfall, savage red men. They shoot turkeys, I have read, as we shoot partridges. Well, if it be your wish, go to America, Adam, and be happy in the new world.”

He stood for some time, sunk in thought, as if he had already sent off the young man to America, and had done with him. When at last he spoke, his words had the character of a monologue, enunciated by the person who watches things come and go, and himself stays on.

“Take service, there,” he said, “with the power which will give you an easier bargain than this: That with your own life you may buy the life of your son.”

Adam had not listened to his uncle’s remarks about America, but the conclusive, solemn words caught his ear. He looked up. As if for the first time in his life, he saw the old man’s figure as a whole, and conceived how small it was, so much smaller than himself, pale, a thin black anchorite upon his own land. A thought ran through his head: “How terrible to be old!” The abhorrence of the tyrant, and the sinister dread on his behalf, which had followed him all day, seemed to die out of him, and his pity with all creation to extend even to the sombre form before him.

His whole being had cried out for harmony. Now, with the possibility of forgiving, of a reconciliation, a sense of relief went through him; confusedly he bethought himself of Anne-Marie drinking the water held to her lips. He took off his hat, as his uncle had done a moment ago, so that to a beholder at a distance it would seem that the two dark-clad gentlemen on the path were repeatedly and respectfully saluting one another, and brushed the hair from his forehead. Once more the tune of the garden-room rang in his mind:

“Mourir pour ce qu’on aime
C’est un trop doux effort …”

He stood for a long time immobile and dumb. He broke off a few ears of rye, kept them in his hand and looked at them.

He saw the ways of life, he thought, as a twined and tangled design, complicated and mazy; it was not given him or any mortal to command or control it. Life and death, happiness and woe, the past and the present, were interlaced within the pattern. Yet to the initiated it might be read as easily as our ciphers—which to the savage must seem confused and incomprehensible—will be read by the schoolboy. And out of the contrasting elements concord rose. All that lived must suffer; the old man, whom he had judged hardly, had suffered, as he had watched his son die, and had dreaded the obliteration of his being. He himself would come to know ache, tears and remorse, and, even through these, the fullness of life. So might now, to the woman in the rye field, her ordeal be a triumphant procession. For to die for the one you loved was an effort too sweet for words.

As now he thought of it, he knew that all his life he had sought the unity of things, the secret which connects the phenomena of existence. It was this strife, this dim presage, which had sometimes made him stand still and inert in the midst of the games of his playfellows, or which had, at other moments—on moonlight nights, or in his little boat on the sea—lifted the boy to ecstatic happiness. Where other young people, in their pleasures or their amours, had searched for contrast and variety, he himself had yearned only to comprehend in full the oneness of the world. If things had come differently to him, if his young cousin had not died, and the events that followed his death had not brought him to Denmark, his search for understanding and harmony might have taken him to America, and he might have found them there, in the virgin forests of a new world. Now they have been disclosed to him today, in the place where he had played as a child. As the song is one with the voice that sings it, as the road is one with the goal, as lovers are made one in their embrace, so is man one with his destiny, and he shall love it as himself.

He looked up again, towards the horizon. If he wished to, he felt, he might find out what it was that had brought to him, here, the sudden conception of the unity of the universe. When this same morning he had philosophized, lightly and for his own sake, on his feeling of belonging to this land and soil, it had been the beginning of it. But since then it had grown; it had become a mightier thing, a revelation to his soul. Some time he would look into it, for the law of cause and effect was a wonderful and fascinating study. But not now. This hour was consecrated to greater emotions, to a surrender to fate and to the will of life.

“No,” he said at last. “If you wish it I shall not go. I shall stay here.”

At that moment a long, loud roll of thunder broke the stillness of the afternoon. It re-echoed for a while amongst the low hills, and it reverberated within the young man’s breast as powerfully as if he had been seized and shaken by hands. The landscape had spoken. He remembered that twelve hours ago he had put a question to it, half in jest, and not knowing what he did. Here it gave him its answer.

What it contained he did not know; neither did he inquire. In his promise to his uncle he had given himself over to the mightier powers of the world. Now what must come must come.

“I thank you,” said the old lord, and made a little stiff gesture with his hand. “I am happy to hear you say so. We should not let the difference in our ages, or of our views, separate us. In our family we have been wont to keep peace and faith with one another. You have made my heart lighter.”

Something within his uncle’s speech faintly recalled to Adam the misgivings of the afternoon. He rejected them; he would not let them trouble the new, sweet felicity which his resolution to stay had brought him.

“I shall go on now,” said the old lord. “But there is no need for you to follow me. I will tell you tomorrow how the matter has ended.” “No,” said Adam,” I shall come back by sunset, to see the end of it myself.”

All the same he did not come back. He kept the hour in his mind, and all through the evening the consciousness of the drama, and the profound concern and compassion with which, in his thoughts, he followed it, gave to his speech, glance and movements a grave and pathetic substance. But he felt that he was, in the rooms of the manor, and even by the harpsichord on which he accompanied his aunt to her air from Alceste, as much in the centre of things as if he had stood in the rye field itself, and as near to those human beings whose fate was now decided there. Anne-Marie and he were both in the hands of destiny, and destiny would, by different ways, bring each to the designated end.

Later on he remembered what he had thought that evening.

But the old lord stayed on. Late in the afternoon he even had an idea; he called down his valet to the pavilion and made him shift his clothes on him and dress him up in a brocaded suit that he had worn at Court. He let a lace-trimmed shirt be drawn over his head and stuck out his slim legs to have them put into thin silk stockings and buckled shoes. In this majestic attire he dined alone, of a frugal meal, but took a bottle of Rhenish wine with it, to keep up his strength. He sat on for a while, a little sunk in his seat; then, as the sun neared the earth, he straightened himself, and took the way down to the field.

The shadows were now lengthening, azure blue along all the eastern slopes. The lonely trees in the corn marked their site by narrow blue pools running out from their feet, and as the old man walked a thin, immensely elongated reflection stirred behind him on the path. Once he stood still; he thought he heard a lark singing over his head, a spring-like sound; his tired head held no clear perception of the season; he seemed to be walking, and standing, in a kind of eternity.

The people in the field were no longer silent, as they had been in the afternoon. Many of them talked loudly among themselves, and a little farther away a woman was weeping.

When the bailiff saw his master, he came up to him. He told him, in great agitation, that the widow would, in all likelihood, finish the mowing of the field within a quarter of an hour.

“Are the keeper and the wheelwright here?” the old lord asked him. “They have been here,” said the bailiff, “and have gone away, five times. Each time they have said that they would not come back. But they have come back again, all the same, and they are here now.” “And where is the boy?” the old lord asked again. “He is with her,” said the bailiff. “I have given him leave to follow her. He has walked close to his mother all the afternoon, and you will see him now by her side, down there.”

Anne-Marie was now working her way up towards them more evenly than before, but with extreme slowness, as if at any moment she might come to a standstill. This excessive tardiness, the old lord reflected, if it had been purposely performed, would have been an inimitable, dignified exhibition of skilled art; one might fancy the Emperor of China advancing in like manner on a divine procession or rite. He shaded his eyes with his hand, for the sun was now just beyond the horizon, and its last rays made light, wild, many-coloured specks dance before his sight. With such splendour did the sunset emblazon the earth and the air that the landscape was turned into a melting-pot of glorious metals. The meadows and the grasslands became pure gold; the barley field near by, with its long ears, was a live lake of shining silver.

There was only a small patch of straw standing in the rye field, when the woman, alarmed by the change in the light, turned her head a little to get a look at the sun. The while she did not stop her work, but grasped one handful of corn and cut it off, then another, and another. A great stir, and a sound like a manifold, deep sigh, ran through the crowd. The field was now mowed from one end to the other. Only the mower herself did not realize the fact; she stretched out her hand anew, and when she found nothing in it, she seemed puzzled or disappointed. Then she let her arms drop, and slowly sank to her knees.

Many of the women burst out weeping, and the swarm drew close round her, leaving only a small open space at the side where the old lord stood. Their sudden nearness frightened Anne-Marie; she made a slight, uneasy movement, as if terrified that they should put their hands on her.

The boy, who had kept by her all day, now fell on his knees beside her. Even he dared not touch her, but held one arm low behind her back and the other before her, level with her collar-bone, to catch hold of her if she should fall, and all the time he cried aloud. At that moment the sun went down.

The old lord stepped forward and solemnly took off his hat. The crowd became silent, waiting for him to speak. But for a minute or two he said nothing. Then he addressed her, very slowly.

“Your son is free, Anne-Marie,” he said. He again waited a little, and added: “You have done a good day’s work, which will long be remembered.”

Anne-Marie raised her gaze only as high as his knees, and he understood that she had not heard what he said. He turned to the boy. “You tell your mother, Goske,” he said, gently, “what I have told her.”

The boy had been sobbing wildly, in raucous, broken moans. It took him some time to collect and control himself. But when at last he spoke, straight into his mother’s face, his voice was low, a little impatient, as if he were conveying an everyday message to her. “I am free, Mother,” he said. “You have done a good day’s work that will long be remembered.”

At the sound of his voice she lifted her face to him. A faint, bland shadow of surprise ran over it, but still she gave no sign of having heard what he said, so that the people round them began to wonder if the exhaustion had turned her deaf. But after a moment she slowly and waveringly raised her hand, fumbling in the air as she aimed at his face, and with her fingers touched his cheek. The cheek was wet with tears, so that at the contact her fingertips lightly stuck to it, and she seemed unable to overcome the infinitely slight resistance, or to withdraw her hand. For a minute the two looked each other in the face. Then, softly and lingeringly, like a sheaf of corn that falls to the ground, she sank forward onto the boy’s shoulder, and he closed his arms round her.

He held her thus, pressed against him, his own face buried in her hair and head-cloth, for such a long time that those nearest to them, frightened because her body looked so small in his embrace, drew closer, bent down and loosened his grip. The boy let them do so without a word or a movement. But the woman who held Anne-Marie, in her arms to lift her up, turned her face to the old lord. “She is dead,” she said.

The people who had followed Anne-Marie all through the day kept standing and stirring in the field for many hours, as long as the evening light lasted, and longer. Long after some of them had made a stretcher from branches of the trees and had carried away the dead woman, others wandered on, up and down the stubble, imitating and measuring her course from one end of the rye field to the other, and binding up the last sheaves, where she had finished her mowing.

The old lord stayed with them for a long time, stepping along a little, and again standing still.

*  *  *  *  *

In the place where the woman had died the old lord later on had a stone set up, with a sickle engraved in it. The peasants on the land then named the rye field “Sorrow-Acre.” By this name it was known a long time after the story of the woman and her son had itself been forgotten.