This award-winning story is a wonderful example of Deborah Eisenberg’s unusual writing style. Starting and ending at the same place, the back-story is provided in disjointed fragments that generate a sense of increasing menace as the full picture emerges. A directionless, insecure eighteen-year-old leaves an unfulfilling waitress job to live in an idyllic, off-the-grid cabin with a seemingly perfect man and his infant son. She flees several months later after a brutal beating, leaving readers to ponder the reasons for and wisdom of her abduction of his child. Themes: family, friendship, loneliness, isolation, fear, quest for fulfillment. More…

The major theme of this story by Deborah Eisenberg is the need to be heard. A once up-and-coming concert pianist struggles to deal with a stalled career and failed relationship. Potential salvation arrives with an invitation to perform in an unnamed Latin American Country. Patronizing treatment by the concert’s upper-class organizers, a walk through poorer neighborhoods, and the inane behavior of an English radio journalist, emphasize the importance for people of all persuasions to not only speak out, but also be heard and understood. Other themes: loneliness, alienation, elitism, class, poverty, oppression, indifference to the suffering of others. More…

In this story by Deborah Eisenberg, two childhood friends from families of different financial means drift apart when the older girl goes to high school. However, they still share a common bond through child-minding jobs for a young woman and her “touchy-feely” college professor husband who live in “their” stone cottage. The story has an unusual structure: beginning at the end, returning to the beginning, then allowing readers to reach their own conclusion as to why the older girl’s family mysteriously whisks her out of town. Themes include friendship, social class, isolation, regret, infatuation, sexual predation/grooming. More…