Although the 9-year-old twins in this Graham Greene story look the same, they have very different psychological dispositions. The first-born (Peter) is self-confident and has a special connection with his brother. The younger (Francis) has an anxiety disorder that results in unreasoning fear, particularly of the dark. Peter feels what Francis feels, and is fiercely protective of him. Despite their best efforts to avoid it, the two attend a birthday party that will include a game of hide-and-seek in the dark. During the game, a thoughtless act by Peter has tragic results. Themes: innocence, brotherhood, connection, fear, adult insensitivity, death. More…
Archives
A Face in the Dark
The power of this very short horror story from Ruskin Bond is in the way the events described mirror what one might experience in a nightmare. As an alternative to supernatural forces, Bond cleverly presents a logical explanation for the night’s events: the way faces can appear ghostly by torchlight. Either way, the major theme of the story is fear when confronted with the unknown. A possible moral is that we shouldn’t judge people who look or dress differently due to their race, class, gender identity, religion, etc. Other themes: the supernatural, imagination vs. reality. More…
The Tell-Tale Heart
In this Gothic horror story by Edgar Allan Poe, the narrator describes how cleverly he or she has planned and carried out the murder of an old man. The only reason given is fear of what is described as the old man’s ‘vulture eye’. The narrator’s purpose in telling the story is to convince the audience that he or she is not mad. There are a number of ironic aspects to the story, perhaps the greatest being that in trying to prove his or her sanity, the narrator clearly demonstrates the opposite. Themes: mental illness, fear, time, guilt vs. innocence. More…
The Toll-House
Today we have another classic horror story from W. W. Jacobs. Four young travelers are drinking (tea of all things!) at an Inn. They are discussing the supernatural, and it soon becomes clear that three are believers to varying degrees and one is a total skeptic. One of them tells a story about a nearby haunted house that takes a “toll” of at least one life from every family or group that lives there—however short the time. Foolishly, they decide to put the story to the test. Themes: bravado, fear, the supernatural. More…
Strawberry Spring
This horror story from Stephen King is one where the twist at the end sticks in your mind, even though nine gruesome murders remain unsolved. A serial killer stalks a small college community. The victims are all women. The murders, which always take place at night, become increasingly vicious. Set in a rare false (strawberry) spring, thick fog provides perfect cover for the killer. The police have no leads. Panic sets in as students realize the killer could be anyone on campus. When the weather breaks, the murders stop. Eight years later, during the next strawberry spring, they begin anew. More…
The Legend of Sleepy Hollow
The central character of this story by Washington Irving is a greedy city schoolmaster who moves to a school in a sleepy country town and sets about getting rich by marrying the daughter of a wealthy landowner. The teacher’s proposal is rejected, and he disappears one night after being chased by the “ghost” of a headless horseman. Major themes include storytelling (tall-tales), superstition, greed (Ichabod), fickleness (Katrina), ambiguity (in relation to both the horseman’s identity and Ichabod’s fate), and city vs. country perceptions (conniving sophistication vs. integrity and practicality). More…
Born of Man and Woman
Many readers find this short horror story by Richard Matheson incredibly moving. One of its major themes is Beauty vs. Ugliness. The protagonist is an eight-year-old child who has been locked in a basement for most of its life because of his/her monstrous form and size. The child does not appear to be possessed by an evil or supernatural force. The child is inquisitive about the outside world, but is cruelly beaten every time he/she ventures upstairs. The horror aspect comes from the cruelty the child suffers and the threat of impending violence if it continues. More…
The Moonlit Road
In this famous gothic horror story by Ambrose Bierce, a rich man has a loving wife who he does not trust. He sets a trap that doesn’t go as planned, resulting in him accidentally killing her. The unfortunate woman’s ghost, which is unaware who killed her, tries to contact him. This sets off a chain of events that ruins the lives of both the rich man and their only son. We hear the story from three perspectives: those of the son, a man we assume to be the husband/killer, and the ghost herself as told through a medium. More…
In the Penal Colony
This Franz Kafka story is a study on what can happen when you put a psychopath in charge of a process (or country) in which they have unfettered power and can make decisions over life and death with impunity. The story deals with some heavy themes: justice, due process, capital punishment, torture, sadistic voyeurism, and the difficulty of institutional change (even if for the good!). Central to all this is the “machine”, which seems to know that its time has come and chooses to self-destruct along with the only person left who cares about it. More…
Don’t Look Now
This Daphne du Maurier story opens with a British couple dining in Venice. The holiday, through which they hope to rebuild their relationship following the death of their young daughter, takes an eerie turn when a fellow diner claims to be able to “see” the spirit of the dead girl sitting between them, and issues a grim warning that they should leave Venice immediately. When a family emergency calls them back home later that day, they take this as the meaning of the warning. The wife leaves the next morning; the husband never does. Themes: grief, the supernatural, scepticism, suspicion/paranoia. More…
The Werewolf
This is the first of Angela Carter’s well-known “wolf tales” series. Although the beginning resembles the Red Riding Hood children’s story, things soon take a very different turn. A wolf loses a paw, grandma is missing a hand, and the villagers show their bravery by beating the poor woman to death. What I particularly like is the way that Carter uses foreshadowing and omissions in the story-line to leave readers with a question: Was the grandmother really a witch/were-woman, or was the “good child” one of those northern country people with a cold heart mentioned in the opening sentence? More…
There is a Reaper
The English idiom ‘Grim Reaper’ refers to either death itself, or the Angel of Death who comes to collect a soul when someone dies. This story by Charles de Vet begins with the following words: Doctors had given him just one month to live. A month to wonder, what comes afterward? There was one way to find out – ask a dead man! The question had to be asked within a few minutes of death, so he decided the only thing to do was murder someone. The murdered man’s frightening answer was not what he had expected. More…
Zero Hour
This chilling story by Ray Bradbury involves an inattentive mother, a feisty seven-year-old girl, and her imaginary friend Drill. Throughout most of the story, the girl leads her friends in a construction game following instructions she receives from Drill. Her mother later learns that groups of similar-aged children across America are playing the same game. Its name is “Invasion”, and for her the climax comes in a single word: Peekaboo. The major theme of the story is complacency. The mother senses something is wrong, but doesn’t act until too late. Other themes: human smugness (We’re impregnable!), child innocence/impressionability, manipulation/reward, violence. More…
Young Goodman Brown
In this story by Nathaniel Hawthorne, a pious young Puritan named Goodman Brown travels into the forest one night to prove that he can resist evil. There he meets a man implied to be the devil, who demonstrates that most of his townspeople, including his wife Faith, embrace witchcraft. Thanks to Brown’s belief in his moral superiority, he accepts everything he sees without question. He fails to appreciate that the visions may have been a dream, contrived by the devil as a way of deceiving him. Themes: temptation (good vs. evil), dreams vs. reality, deceit, paranoia, loss of faith, alienation. More…
Slaughter House
Although highly regarded as a classic, chilling ghost story, die-hard Richard Matheson fans may find Slaughter House somewhat disappointing. Matheson deliberately changes his normal crisp, easy to read writing style to experiment with the formality of mid-Victorian writing. The result: some extremely obscure vocabulary and very long, pompously formal sentences that are sometimes disjointed and confusing. The story itself is captivating. Two brothers, whose described relationship suggests a little more than brotherly love, fall for the lustful ghost of a young woman that enchants, has its way with, and then tries to kill them. Only one of the three survives! More…
Children of the Corn
Combine a boy with his throat cut who runs out onto a country road, a seemingly deserted town where the only community building still in use is a desecrated church, a hoard of murderous children, and a mysterious presence living in the surrounding cornfields, and you have a typical Stephen King horror/thriller. You get the feeling that King deliberately set out to make sure that readers wouldn’t be too upset when the main characters (a bickering couple driving through the American Midwest) meet their inevitable gruesome end. Themes: cultism, exploited religion, human sacrifice, the supernatural. More…
Other People
This Neil Gaiman story provides an interesting perspective on punishment in the afterlife. However, it is not for the fainthearted. Upon entering a room in hell, a man meets the “demon” that will become his tormentor. After suffering excruciating pain from each of the 211 torture instruments lining the walls, he asks the demon what comes next. The answer: the true pain begins! And so it does for what seems like several thousand more years. In the last sentence, we learn why Gaiman agreed to change the title of the story from his original choice (Afterlife) to Other People. More…
I Have No Mouth and I Must Scream
This story from Harlan Ellison is an example of New Wave Science Fiction, a literary movement that flourished in the 1960s and 1970s. Distinguishing features are storylines that are intellectually implausible, and disturbing themes that would not normally be included in traditional science fiction. A sentient supercomputer has destroyed the human race other than five ‘specimens’. With no creative outlet for its powers, it has kept these alive and subjected them to torturous challenges for over one hundred years as revenge against humanity for creating it. Themes: humanity vs. technology, godhood, individualism, revenge, cruelty, violence, misogyny, self-sacrifice More…
The Masque of the Red Death
In this Edgar Allan Poe classic an eccentric, possibly mad prince of an unnamed country hopes to evade a plague known as the “Red Death” by locking himself inside a secluded abbey. Being a fun-loving fellow, he brings along an entourage comprising a thousand hale and light-hearted friends from among the knights and dames of his court and an unspecified number of servants and entertainers. They have a jolly time culminating in a lavish masquerade ball where the Red Death incarnate joins the party. Themes include the inevitability of death, fear, social class (abandonment of the common people), foolishness (madness?). More…
The Monkey’s Paw
Today we are bringing you The Monkey’s Paw by W. W. Jacobs, one of the most famous horror stories of all time. First published in 1902, it has since appeared in many forms including live plays, movies, TV shows, radio plays, books, comics and cartoons (even a Simpsons episode!). In the story, a man makes a wish upon an enchanted monkey’s paw with disastrous results for his family. First, some advice before you start to read. Don’t do it sitting at home alone on a dark and stormy night! Themes: family, greed, tempting fate, industrialization (work safety), death, the supernatural. More…