In this story by Algernon Blackwood, a man makes a spur of the moment decision to visit his old boarding school in a remote German village. Although life and discipline inside the fortress-like school operated by a devout Protestant brotherhood was strict, he recalls his time there fondly. When he arrives, everything appears unchanged and he is welcomed with open arms. However, leaving is not so easy… the not-so-devout brotherhood was a cover for a satanic cult which now has eyes on his soul! Themes include nostalgia, isolation, appearances vs. reality, satanism, human sacrifice, chance, the supernatural. More…
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The Pale Man
This is a short horror story by little known author Julius Long. A doctor tells a man suffering from nerves to have a long holiday somewhere quiet. The man checks into a hotel in a small town. However, the townspeople are unfriendly towards him and he finds it a lonely, dreary place. His only hope for stimulating conversation appears to be a tall, pale man staying in another room of the hotel. The pale man has some very strange ways, so the man asks the hotel room clerk about him. The room clerk tells him there is no such guest. More…
The Black Cat
The Stephen Kings of the writing world tend to use external, often supernatural forces as their instruments of terror. With Edgar Allan Poe, the horror generally develops from the tortured mind of man. The protagonist here has lost his mind to alcoholism. Like many alcoholics, he becomes violent when in a drunken state. This is initially directed towards family pets. Extreme cruelty to animals can indicate psychopathic tendencies, and this proves true later in the story when he shows no remorse for any of his actions, including the murder of his wife. Themes: alcoholism, mental illness, brutality, death. More…
The Yellow Wallpaper
This partly autobiographical story by Charlotte Gilman describes the experiences of a creative, imaginative woman suffering from post-natal depression. She follows the then (1890s) generally accepted medical advice to spend her time “resting” in semi-isolation. Gilman skillfully uses the setting to turn an otherwise clinical account of a mental breakdown into a chilling psychological horror story. Although living in a colonial mansion amid idyllic countryside, the poor woman spends most of her time in a prison-like room with creepy wallpaper. Major themes include the fallibility of doctors and our reluctance to question them, mental illness, freedom and self-expression, and gender roles in society. More…
Silent Snow, Secret Snow
Conrad Aiken’s Silent Snow, Secret Snow is a psychological horror fantasy. It begins with a twelve-year-old boy (Paul) imagining overnight snowfalls. This leads to a growing fascination with snow, the thought of which provides relief from the mundane routine of his daily life, the ugliness of the world around him, parent-child conflicts, and awakening sexuality. As the imagined snowfalls increase, Paul begins to lose touch with reality. In the disturbing climax, his boy’s “snow voices” come alive and he completely withdraws into himself as they tell him a story. Major themes: mental illness, concealment, detachment and alienation. More…
Arabesque: The Mouse
In this psychological horror story by A. E. Coppard, an idealistic man who has withdrawn from society due to constant rebuff sits alone in a mouse-infested garret. As he watches the antics of a mouse in front of his fireplace, his mind wanders to the death of his mother and loss of the only woman he ever loved. When he comes back to reality, the mouse is sitting before a trap with its forepaws torn off. Association of this with his mother’s grisly death sends him to the brink of madness. Themes include mother-child relationships, loss, depression, despair, shame, insanity. More…
The Signal-man
Many Charles Dickens stories feature ghosts. Part of the attraction of The Signal-man is that, although generally considered one of these, there is no hard evidence of a ghost. Dickens masterfully uses setting to create a forbidding, unearthly atmosphere, and then leaves the question of the ghost to the reader. Like all first-person stories, the narrator’s version is open to misinterpretation and bias. The only evidence of the supernatural are the ghostly sightings described by the (now dead) signal-man, and some (potentially coincidental) shared expressions and gestures. Themes: duty & responsibility, fate, isolation, guilt, sanity, the supernatural. More…
The Outsider
H. P. Lovecraft was a pioneer of cosmic horror, a sub-genre in which gothic settings and “other-worldly” elements replace shock and gore. A feature of his writing is nightmare-like plot twists that defy logic or reason. Here, a man grows up alone in a decaying castle set among frightening woods. When he climbs the crumbling castle tower to look further afield, he finds a stone slab that leads to an earth-like world above the clouds. He is excited to encounter other people, but soon learns a frightening truth. Themes include alternative reality, isolation and loneliness, social rejection, alienation, self-discovery. More…
The Boarded Window
In this short gothic horror story from Ambrose Bierce, a boarded window symbolizes a grieving and possibly PTSD affected man’s desire to shut himself off from the outside world. Murlock shows no signs of traditional mourning over his wife’s passing, so his decision to live as he does could well result from a sense of shame and/or guilt over his part in her death. As we have only his version of the night’s events, it could even be that (with or without a panther) his wild shot was the reason for her throat wound! Themes: isolation, death, shame/guilt, loneliness. More…