There is not much one can add to what has already been written about this classic tale from Edgar Allan Poe. Widely regarded as one of the world’s greatest Gothic horror stories, it is yet another example of Poe’s ability to supplement situational horror with insights into the twisted minds of his protagonists. The horror aspect of this story about a wine-tasting gone wrong (or right, depending on how you look at it) is enhanced by the ambiguity about the seriousness of the “insult” that lead to the victim’s claustrophobic end. Themes: revenge, trust/deceit, pride, envy, mortality, confession.

Like two of our earlier Edgar Allan Poe tales (The Back Cat and The Tell-Tale Heart), this story involves an unreliable, unhinged narrator facing execution for murder trying to account for his crime. He blames his actions on an agent he claims to be in all of us called the “Imp of the Perverse”. The Imp, he argues, is an urge that drives people to do things they shouldn’t for the simple reason that they know it to be wrong. Ironically, the Imp that drove him to murder also drove him to confess. Themes include perverseness, obsession, madness, self-destruction.

In this Gothic horror story by Edgar Allan Poe, the narrator describes how cleverly he or she has planned and carried out the murder of an old man. The only reason given is fear of what is described as the old man’s ‘vulture eye’. The narrator’s purpose in telling the story is to convince the audience that he or she is not mad. There are a number of ironic aspects to the story, perhaps the greatest being that in trying to prove his or her sanity, the narrator clearly demonstrates the opposite. Themes: mental illness, fear, time, guilt vs. innocence.