This Neil Gaiman story provides an interesting perspective on punishment in the afterlife. However, it is not for the fainthearted. Upon entering a room in hell, a man meets the “demon” that will become his tormentor. After suffering excruciating pain from each of the 211 torture instruments lining the walls, he asks the demon what comes next. The answer: the true pain begins! And so it does for what seems like several thousand more years. In the last sentence, we learn why Gaiman agreed to change the title of the story from his original choice (Afterlife) to Other People. More…
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I Have No Mouth and I Must Scream
This story from Harlan Ellison is an example of New Wave Science Fiction, a literary movement that flourished in the 1960s and 1970s. Distinguishing features are storylines that are intellectually implausible, and disturbing themes that would not normally be included in traditional science fiction. A sentient supercomputer has destroyed the human race other than five ‘specimens’. With no creative outlet for its powers, it has kept these alive and subjected them to torturous challenges for over one hundred years as revenge against humanity for creating it. Themes: humanity vs. technology, godhood, individualism, revenge, cruelty, violence, misogyny, self-sacrifice More…
The Dunwich Horror
In this cosmic horror story by H. P. Lovecraft, an early 19th century practitioner of the black arts summons an “Elder Thing” from another dimension to mate with his daughter. The result is an unusual set of twins. One has enough human characteristics to allow it to function in society. The other, which takes more after its father, is an invisible monster the size of a house, intent on destroying life on earth and moving the planet to the “Other Side”. Themes include the occult, madness, fear, heroism, realms beyond human understanding, the potential transient nature of humanity. More…
The Masque of the Red Death
In this Edgar Allan Poe classic an eccentric, possibly mad prince of an unnamed country hopes to evade a plague known as the “Red Death” by locking himself inside a secluded abbey. Being a fun-loving fellow, he brings along an entourage comprising a thousand hale and light-hearted friends from among the knights and dames of his court and an unspecified number of servants and entertainers. They have a jolly time culminating in a lavish masquerade ball where the Red Death incarnate joins the party. Themes include the inevitability of death, fear, social class (abandonment of the common people), foolishness (madness?). More…
The Monkey’s Paw
Today we are bringing you The Monkey’s Paw by W. W. Jacobs, one of the most famous horror stories of all time. First published in 1902, it has since appeared in many forms including live plays, movies, TV shows, radio plays, books, comics and cartoons (even a Simpsons episode!). In the story, a man makes a wish upon an enchanted monkey’s paw with disastrous results for his family. First, some advice before you start to read. Don’t do it sitting at home alone on a dark and stormy night! Themes: family, greed, tempting fate, industrialization (work safety), death, the supernatural. More…
The Hospice
Author Robert Aickman preferred to be called a writer of “strange fiction” rather than ghost or horror stories. The Hospice, considered one of his best, is a good example of why. The story is full of unexplained twists and turns. It builds to what readers expect will be a typical horror climax, then seemingly falls flat with the protagonist safely on his way home. But is he? It’s easy to see why Aickman has been called the English Kafka. Was it a dream? Delirium caused by an animal bite? Supernatural forces? Or did he die along the way? More…
The Raft
In this story from Stephen King, the last swim of the season by four college students also proves to be the last swim of their lives. On an alcohol-fuelled whim, the foursome drive to a deserted lake to swim out to a raft moored fifty yards off shore, say good-bye to summer, and then swim back. As they reach the raft, they learn to their horror that a mysterious black mass floating on the surface is stalking them for its next meal(s). Themes include teenage exuberance, machismo, chauvinism, sexuality, fear, the unknown/supernatural. More…
The Chosen Vessel
This story by Barbara Baynton paints a graphic picture of the isolation and dangers faced by women living in ‘outback’ Australia during the 19th century. A ‘swagman’ traveling the countryside looking for work visits a woman on a farm whose husband is away. She does not like the way he looks at her, and locks herself and her baby in their house. The man is about to break in when they hear a horse rider coming. The woman runs outside and calls for help. However, when the horse rider hears and then sees her, he races away in fright. More…
Where Are You Going, Where Have You Been?
The plot of this award-winning story by Joyce Carol Oates in a nutshell: attractive, self-absorbed, rebellious teen under Why can’t you be like your big sister? pressure meets a predatory psychopath with, one imagines, predictable results. What sets the story apart is the way Oates, using dialogue alone, transforms a cautionary tale for young women into a psychological thriller that gradually develops into a horror story. Themes include search for identity, independence, sexuality and control, appearance vs. reality, malevolence, psychological manipulation and (if you believe Connie really sacrificed herself for her family), self-sacrifice. More…
The Feather Pillow
In this story by Horacio Quiroga a healthy young woman slowly wastes away and dies over the three months following her wedding. Her husband’s impassive manner, coupled with spending her days alone in his cavernous, unwelcoming house, destroy her childhood fancies of married life. Her fate is sealed when she decides to cast a veil over her former dreams and live like a sleeping beauty in the hostile house. Later, we learn that it is not their house that is hostile, but her feather pillow. Themes include innocence, love and marriage, isolation and loneliness, disillusionment, depression and death. More…
The Fall of the House of Usher
This Edgar Allan Poe story is a masterpiece of the Gothic Horror genre. A man visits a childhood friend in his crumbling family mansion to help him cope with an acute attack of depression. An interdependent relationship exists between the friend, his twin sister and the house (some say a shared soul), which ends in the downfall of all three. The story’s most remarkable feature is the almost total lack of physical action. The feeling of terror and impending doom develops solely from Poe’s descriptions of setting, characters, and atmosphere. Themes: isolation, friendship, fear, madness, the supernatural. More…
The Pale Man
This is a short horror story by little known author Julius Long. A doctor tells a man suffering from nerves to have a long holiday somewhere quiet. The man checks into a hotel in a small town. However, the townspeople are unfriendly towards him and he finds it a lonely, dreary place. His only hope for stimulating conversation appears to be a tall, pale man staying in another room of the hotel. The pale man has some very strange ways, so the man asks the hotel room clerk about him. The room clerk tells him there is no such guest. More…
The Black Cat
The Stephen Kings of the writing world tend to use external, often supernatural forces as their instruments of terror. With Edgar Allan Poe, the horror generally develops from the tortured mind of man. The protagonist here has lost his mind to alcoholism. Like many alcoholics, he becomes violent when in a drunken state. This is initially directed towards family pets. Extreme cruelty to animals can indicate psychopathic tendencies, and this proves true later in the story when he shows no remorse for any of his actions, including the murder of his wife. Themes: alcoholism, mental illness, brutality, death. More…
The Yellow Wallpaper
This partly autobiographical story by Charlotte Gilman describes the experiences of a creative, imaginative woman suffering from post-natal depression. She follows the then (1890s) generally accepted medical advice to spend her time “resting” in semi-isolation. Gilman skillfully uses the setting to turn an otherwise clinical account of a mental breakdown into a chilling psychological horror story. Although living in a colonial mansion amid idyllic countryside, the poor woman spends most of her time in a prison-like room with creepy wallpaper. Major themes include the fallibility of doctors and our reluctance to question them, mental illness, freedom and self-expression, and gender roles in society. More…
Silent Snow, Secret Snow
Conrad Aiken’s Silent Snow, Secret Snow is a psychological horror fantasy. It begins with a twelve-year-old boy (Paul) imagining overnight snowfalls. This leads to a growing fascination with snow, the thought of which provides relief from the mundane routine of his daily life, the ugliness of the world around him, parent-child conflicts, and awakening sexuality. As the imagined snowfalls increase, Paul begins to lose touch with reality. In the disturbing climax, his boy’s “snow voices” come alive and he completely withdraws into himself as they tell him a story. Major themes: mental illness, concealment, detachment and alienation. More…
The Signal-man
Many Charles Dickens stories feature ghosts. Part of the attraction of The Signal-man is that, although generally considered one of these, there is no hard evidence of a ghost. Dickens masterfully uses setting to create a forbidding, unearthly atmosphere, and then leaves the question of the ghost to the reader. Like all first-person stories, the narrator’s version is open to misinterpretation and bias. The only evidence of the supernatural are the ghostly sightings described by the (now dead) signal-man, and some (potentially coincidental) shared expressions and gestures. Themes: duty & responsibility, fate, isolation, guilt, sanity, the supernatural. More…
The Outsider
H. P. Lovecraft was a pioneer of cosmic horror, a sub-genre in which gothic settings and “other-worldly” elements replace shock and gore. A feature of his writing is nightmare-like plot twists that defy logic or reason. Here, a man grows up alone in a decaying castle set among frightening woods. When he climbs the crumbling castle tower to look further afield, he finds a stone slab that leads to an earth-like world above the clouds. He is excited to encounter other people, but soon learns a frightening truth. Themes include alternative reality, isolation and loneliness, social rejection, alienation, self-discovery. More…
The Boarded Window
In this short gothic horror story from Ambrose Bierce, a boarded window symbolizes a grieving and possibly PTSD affected man’s desire to shut himself off from the outside world. Murlock shows no signs of traditional mourning over his wife’s passing, so his decision to live as he does could well result from a sense of shame and/or guilt over his part in her death. As we have only his version of the night’s events, it could even be that (with or without a panther) his wild shot was the reason for her throat wound! Themes: isolation, death, shame/guilt, loneliness. More…