The early part of Angela Carter’s Company of Wolves comprises background and several anecdotes which build anticipation and atmosphere. The main story, which doesn’t start until one-third of the way through the text, is an adult-oriented adaption of Charles Perrault’s Little Red Riding Hood. Carter reinforces Perrault’s original theme through eroticism. The addition of the wolf choir outside the cabin (“Who has come to sing us carols, she said.” “Those are the voices of my brothers, darling; I love the company of wolves.”) reflects the feminist view (and Carter’s?) that all men have an innate desire to deflower young women.
Original Text / PDF (4,067 words)