The Wave
The only “characters” in this vignette from Liam O’Flaherty are a cliff, waves, and “the wave”. Major themes include permanence, time, the power of nature/many. O’Flaherty was a noted Republican, and the story can be looked upon as a powerful allegory of Ireland’s struggle for independence. The cliff (Britain) stands firm and resolute, having successfully weathered many storms over its long history. Individually, the smaller waves (the Irish people) make little impression against its rocky walls. Working together, and combining to form “the wave”, they have enough power to begin breaking down the mighty cliff.
In this story by
In this coming-of-age story by
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Readers often need to re-visit this
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Although this folktale has been called the “Slavic Cinderella”, for me it doesn’t quite get there. We have a young girl persecuted by family and a magical element (the gods of the twelve months of the year) that helps her, but here the comparison ends. There is no ball or special event, no beautiful clothes, and no handsome prince. She falls in love with a kind man and the two spend a blissful life of drudgery taking care of her family farm. As nice as it seems, this is not what most people would call a ‘fairytale’ ending!
The crime referred to in this fascinating psychological narrative by
First published in 1950 as Carnival of Madness, this story by