In Angela Carter’s titillating re-telling of Charles Perrault’s Bluebeard, a wealthy, three-times widowed French nobleman marries a seventeen-year-old virtuoso pianist and rushes her away to his secluded castle for a “honeymoon”. When browsing the library, she is shocked to discover his penchant for sadistic pornography. After a passionless consummation that satisfies his desire to have married a virgin, he lays a deadly trap designed to end the marriage. While he is away on business, the woman’s dark newborn curiosity springs the trap, which leads her into his bloody chamber. Themes: manipulation, sexual awakening, depravity, loneliness, curiosity, violence, death. More…
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The Snow Child
The main theme of Angela Carter’s Snow Child is feminist gender stereotyping. There are no heroes here. A powerful, dominating and lustful Count humiliates his wife by wishing for a young girl and clothing her in the vain Countess’s furs. His masculinity and dignity are then stripped away as he weeps while defiling the child’s dead body. The usually submissive Countess experiences a moment of power as the Count guiltily hands her the rose that killed the child. This passes when a thorn prick fails to kill her, proving that she lacks the sweet innocence of the snow child. More…
The Werewolf
This is the first of Angela Carter’s well-known “wolf tales” series. Although the beginning resembles the Red Riding Hood children’s story, things soon take a very different turn. A wolf loses a paw, grandma is missing a hand, and the villagers show their bravery by beating the poor woman to death. What I particularly like is the way that Carter uses foreshadowing and omissions in the story-line to leave readers with a question: Was the grandmother really a witch/were-woman, or was the “good child” one of those northern country people with a cold heart mentioned in the opening sentence? More…
The Company of Wolves
The early part of Angela Carter’s Company of Wolves comprises background and several anecdotes which build anticipation and atmosphere. The main story, which doesn’t start until one-third of the way through the text, is an adult-oriented adaption of Charles Perrault’s Little Red Riding Hood. Carter reinforces Perrault’s original theme through eroticism. The addition of the wolf choir outside the cabin (“Who has come to sing us carols, she said.” “Those are the voices of my brothers, darling; I love the company of wolves.”) reflects the feminist view (and Carter’s?) that all men have an innate desire to deflower young women. More…
The Erlking
This “fairy-tale” by Angela Carter is derived from a European myth. A magical being living in harmony with nature seduces young women traveling through his forest domain. The women are powerless to resist. When he tires of one, he transforms her into a bird, cages her, and adds the cage to a collection of similar cages adorning the walls of his house. The protagonist, sensing her fate, decides that the only way to free herself and his “bird” collection is to do away with him. Themes include connectedness to nature, the supernatural, power and objectification, sexuality, entrapment, liberation. More…