In this surreal horror story from Lesley Nneka Arimah, children are created in the form of craft dolls by their mother, blessed by their grandmother or an elderly substitute, and nurtured for a year until they “become flesh”. In the interim they feed, move and act like babies, but in their doll form. The dolls can be made from any material (straw, sticks, clay, etc.) that is strong enough to last a year. But there are rules. When Ogechi, the impoverished protagonist desperate to have a child breaks one, bad things happen. Themes: magic, poverty, exploitation, isolation, obsession, motherhood. More…
The Birds
This 1952 horror story by Daphne du Maurier follows a family who, along with all of Britain, come under sustained attacks by flocks of crazed birds. Seen as an analogy of the terror caused by World War Two blitz bombing and concerns about the developing Cold War, the story carries even more ominous implications for today. Consider the suggestion that climate change (shifts in the Arctic air stream) may have upset the natural order, and the death and worldwide disorder a small virus (Covid) recently caused. Themes: the vulnerability of mankind to war/natural forces, human/government complacence/ineptitiude, isolation, family, survival, self-reliance. More…
Cranes
Hwang Sun-won’s Cranes shows how humanity can outweigh ideology. Two childhood friends find themselves on opposite sides in the Korean War. One, a village commander, is captured and the other assigned to take him for interrogation and probable execution. When asked why he did not flee, the captured man talks about his aged father’s connection to the land. The other man can relate to this, because he carries the guilt of having left his family when he went away to war. This prompts the captor to suggest they go off on a crane hunt, as they did once as boys. More…
The Green Leaves
This story from Grace Ogot reads like a folktale. With an overall theme of culture conflict between the modern world and the traditions and beliefs of a Kenyan tribe, the plot can be divided into three sections. The first (ending with Nyagar’s death) has themes of crime, tribal justice, violence, superstition and greed. The second, involving the British authorities, emphasizes colonial arrogance and cultural insensitivity. The third, in which Nyagar’s wife laments his death, introduces a feminist theme. Her chant reflects not only her own loss, but also the powerlessness and complete dependence of all village women on their husbands. More…
What I Have Been Doing Lately
This circular narrative by Jamaica Kincaid takes the form of a dream in which the narrator, woken by her doorbell and finding no one there, embarks upon a surreal journey. An interesting aspect of the story is that although delivered in the first person, the narrator’s identity is neither given nor defined. When asked the titular question by an unknown woman, she gives a slightly different version of the journey so far, suggesting either personal growth (greater awareness), or that she has experienced multiple iterations of the journey. Themes include reality vs. fantasy, loss and longing, motherhood, personal growth, identity. More…