In this story by Stephen King, a serial killer stalks women in a small college community. The murders, which always take place at night, become increasingly vicious. Set in a rare false (strawberry) spring, thick fog provides perfect cover for the killer. Panic sets in as students realize the killer could be anyone on campus. When the weather breaks, the murders stop. Eight years later, during the next strawberry spring, they begin anew and, in a memorable twist, the narrator thinks he knows the identity of the killer. Themes include violence, fear, rumor and paranoia, confusion, memory, dissociation. More…
Mateo Falcone
This disturbing tale by Prosper Mérimée has been called “the cruellest story in the world”. Although it deals with some complex issues, the plot is rather simple. Set in the wilds of Corsica, a bratty ten-year-old boy left home alone is confronted by a wounded criminal fleeing the police. He pays the boy to hide him but, when the police arrive and offer a bigger reward, the boy betrays the man. This brings shame upon his family, and forces his father to enforce the Corsican Code of Honor. Themes include greed, honor and betrayal, custom (vendetta), violence and brutality. More…
The Adventure of the Dancing Men
In this mystery by Arthur Conan Doyle, an English squire from a highly respected family asks Sherlock Holmes for help. His new bride has been receiving messages written in a strange code that appear to terrify her. The woman, an American, refuses to discuss her past, and a condition of her marrying him was that he must promise never to ask about it. Holmes takes on the case and easily cracks the code, but doesn’t move quickly enough to prevent a murder. Themes include honor, shame, secretiveness, fear, unrequited love, obsession, crime and justice. More…
The Cask of Amontillado
There is not much one can add to what has already been written about this classic tale from Edgar Allan Poe. Widely regarded as one of the world’s greatest Gothic horror stories, it is yet another example of Poe’s ability to supplement situational horror with insights into the twisted minds of his protagonists. The horror aspect of this story about a wine-tasting gone wrong (or right, depending on how you look at it) is enhanced by the ambiguity about the seriousness of the “insult” that lead to the victim’s claustrophobic end. Themes: revenge, trust/deceit, pride, envy, mortality, confession. More…
The Soul is Not a Smithy
In this story by David Foster Wallace, a man looks back to a day when, as a “slow” nine-year-old student, he daydreamed his way through a Civics class by making up stories based on visual clues he saw while staring out the window. Oblivious to the growing panic of classmates as a deranged substitute teacher wrote KILL, KILL THEM, KILL THEM ALL repeatedly on the chalkboard, he remained sitting after the other students fled. A major theme is fear of disappointment and lack of fulfilment in adult life. Other themes include childhood trauma, violence, pain and loss, time, memory, death. More…