Only an author as creative as Ursula Le Guin could conceive a story where the protagonist is a ‘murderous’ roadside oak tree. A major theme is change. As the road develops from a bridle trail to a tarred highway, the tree laments differences in the environment (birds are fewer, and the wind’s foul) and human behavior, comparing modern passers-by to beetles always rushing about and never looking up. Another theme is perspective. The tree cannot move and has no concept of life after death. To make sense of the world, it comes up with alternative interpretations of relativity and eternity. More…
A Silver Dish
The central theme of this thought-provoking story from Saul Bellow is protagonist Woody’s relationships with his extended family. Although much of his week is spent fulfilling the sense of duty he feels towards them, he also makes time for carnal and other pleasures. A turning point in Woody’s youth was his con-man father (Morris)’s theft of a silver dish. Despite their differences, father and son remained close and Morris’s death affects Woody greatly. In the heart-warming denouement, he proclaims his love by climbing into the dying man’s hospital bed. Other themes: ethnic/religious allegiances, pretentiousness, humiliation, aging, death, duty, self-indulgence, solitude. More…
Born of Man and Woman
Many readers find this short horror story by Richard Matheson incredibly moving. One of its major themes is Beauty vs. Ugliness. The protagonist is an eight-year-old child who has been locked in a basement for most of its life because of his/her monstrous form and size. The child does not appear to be possessed by an evil or supernatural force. The child is inquisitive about the outside world, but is cruelly beaten every time he/she ventures upstairs. The horror aspect comes from the cruelty the child suffers and the threat of impending violence if it continues. More…
A Tale of the Tontlawald
As is all too often the case in folk and fairy tales, the central plot here involves a young girl who is badly treated by a cruel stepmother, has a series of adventures, marries a handsome prince, and lives happily ever after. The big difference here is that the finds refuge and friendship in Tontlawald, a vast stretch of moorland on which no man ever dared set foot. To her surprise, she learns that it is a magical fairyland where people never age. When she outgrows the playmate who discovered her, she is told that she must leave. More…
The Werewolf
This is the first of Angela Carter’s well-known “wolf tales” series. Although the beginning resembles the Red Riding Hood children’s story, things soon take a very different turn. A wolf loses a paw, grandma is missing a hand, and the villagers show their bravery by beating the poor woman to death. What I particularly like is the way that Carter uses foreshadowing and omissions in the story-line to leave readers with a question: Was the grandmother really a witch/were-woman, or was the “good child” one of those northern country people with a cold heart mentioned in the opening sentence? More…