The major theme of this coming of age story by Virginia Driving Hawk Sneve, is pride in one’s cultural heritage. Other themes include identity, respect, cultural conflict (tradition vs. modernity), and media stereotyping vs. realty. A Native American boy is proud of the image portrayed by stately TV Indians, but not so the reality of tribe members still living on the reservation. He is too embarrassed to invite friends home when his ailing great-grandfather comes to visit, and mortified at the prospect of having to wear the family heirloom (a sacred medicine pouch) he is about to inherit. More…
The Tractor and the Corn Goddess
Renowned Indian writer Mulk Raj Anand was well known for his socialist views. These come to the fore in this tongue-in cheek story about a landowner’s progressive son who returns from overseas with such revolutionary ideas as turning his farm into a villager-owned co-operative and importing a tractor to improve the lives of workers. The focus of the story is the tractor, and the landowner’s ingenious method of overcoming the villagers’ fears and indignation associated with the tractor’s “rape” of their Corn Goddess. Themes: social conscience, change, religious and cultural differences, suspicion, pride. More…
The Rockpile
This partly autobiographical story from James Baldwin explores aspects of African-American life in Depression-era Harlem. It contrasts religious zeal with violence and division in the community. In addition to the violence taking place in the children’s “gang” skirmishes on the rockpile, a climate of fear and intimidation exists in the protagonist’s household. Religion is presented not as an uplifting faith that gives meaning to life, but rather something to be feared and obeyed, and through which people are automatically classified as either “redeemed” or “wicked”. Themes: religion, fear, obedience/temptation, choices and consequences, alienation, motherly love. More…
A Horse and Two Goats
This story from R. K. Narayan is a humorous account of the protagonist (Muri)’s trials and tribulations in a remote Indian village. Its major theme is culture clash (the villagers’ deep spirituality and acceptance of their lot vs. an American’s “money is everything” attitude). Other themes include miscommunication (and how it can sometimes pay off handsomely), change (younger villagers’ loss of appreciation of their cultural heritage, as symbolized by their indifference towards the statue), chauvinism (both men are extremely patronizing towards their wives), and archaeological looting (the American must surely recognize that the statue is of spiritual and/or historical significance!). More…
King of the Bingo Game
This Ralph Ellison story opens with a poverty-stricken African-American man sitting in a theater waiting for the end-of-movie bingo game. He needs a win. His partner Laura is dying, and he has no money for medical treatment. The game begins and his numbers come up. When called onto the stage to spin a wheel of fortune to claim the prize, the hungry, alcohol affected man becomes delusional and creates a scene. Police intervene and, although the wheel stops on the jackpot number, he wins the game but not the money. Themes: identity (paranoia, alienation, desperation), prejudice, illusion, self-determination vs. fate. More…