In this moving tale by S. Rajaratnam, a pregnant Malay villager bathing in a river notices a tiger watching her from tall grass near the riverbank. Initially too scared to move, she is surprised as the tiger takes less and less interest in her. Eventually able to swim away, she immediately tells fellow villagers about the encounter. She feels uneasy when a party of men set out to shoot the apparently harmless animal, and is horrified by what they find after killing it. Themes include: fear, connection, compassion, bloodlust, motherhood, conservation (co-existence with vs. destruction/exploitation of nature). More…
Korea
Despite the title, this acclaimed story from John McGahern has almost nothing to do with Korea. Set in Ireland, a father opens up to his teenage son about his traumatic experiences during the War of Independence. He was clearly scarred by them, and may have suffered what we now know as PTSD. The son is about to leave school, and the father encourages him to consider emigrating to America for a better life. The son later learns that what the father is really hoping for is a better life for himself. Themes: war, father-son relationships, desperation, betrayal, coming of age. More…
The Stars
This story by S. Rajaratnam is a biting satire of the “science” of astrology. Inspired by the author’s Hindu upbringing in which those around him shared a strong belief that one’s destiny is written in the stars, he relates the tale of an Indian farmer who doubles as his village astrologer. Having charted his own stars and determined the date and time of his death, he decides to silence sceptics by inviting the whole village to witness and celebrate the event. Themes include astrology, determinism vs. free will, obsession, faith, failure (“miscalculation”), scepticism. More…
Burning in the Rain
To fully appreciate this story and the book it came from, The House of Hunger, one needs to understand the troubled life of its Zimbabwean author, Dambudzo Marechera. A central motif is the “ape in the mirror,” which increasingly dominates the protagonist’s psyche. This could represent Marechera’s personal demons (mental illness, alcohol, drugs and violence) and/or be a thinly disguised metaphor for the devastating “guerrilla war” that brought Robert Mugabe’s ANU government to power. The latter is symbolized in the penultimate paragraph by the rain (that) sounded like the microscopic commotion of six million little people fleeing a national catastrophe. More…
Heart is Where the Home Is
This Thea Astley story is set during period of the Stolen Generations: sixty-years over which up to 100,000 Australian aboriginal children were forcefully removed from their families, placed in missionary schools, and trained to work in white society. Although the story recounts an aboriginal mother’s desperate attempt to save her child, a major theme is the strong connection her people have to “home” (their clan and land). When a white farming family offers her a safe haven away from the wretched camp she lives in, her answer is Not same. Other themes include racism, brutality, family, motherhood, courage, compassion. More…