In this disturbing story by Padgett Powell a bored, frustrated housewife is approached by a twelve-year-old boy intent on exploring his sexuality. Notwithstanding the fact that the woman, who frequently walks past the boy’s house, is old enough to be his mother, he is fixated on having sex with her. The woman, who had sought relief from her unsatisfying marriage before, compares the tryst and the prospect of some comical but not ungratifying sex with the boy to Orpheus’ ascent from the underworld. Themes include boredom and dissatisfaction, escape, sexuality, desire, machismo, illicit relationships/child grooming. More…
The Perfect Murder
In this story with an unlikely twist by Jeffrey Archer, a married man strikes his mistress and storms out of her house after catching her with another man. The next day, he learns she died during the night. He has three options: 1) to do nothing and live in fear that the police investigation will connect him to her; 2) to contact the police and claim that her death was an accident; and 3) to frame the other lover for her murder. He chooses the latter, and closely follows the innocent man’s trial. Themes include infidelity, violence, guilt, fear, injustice. More…
The Ordinary Son
The story from Ron Carlson is a satire of 1960s life and its fixation with science, war, protest and material possessions. Protagonist Reed had a spartan, lonely childhood. His parents (NASA physicist father and poet/activist mother) are eccentric geniuses. His brother and sister are equally intelligent. When Reed discovers he is “ordinary”, he feels a sudden sense of relief and freedom. He gets a low-level job, buys a car, drinks beer and goes fishing for the first time, and fantasizes over a lewd picture he sees in a magazine. Themes: family, materialism, diversity, pressure to meet expectations, work/life balance, sexuality. More…
The Hell Screen
In Ryūnosuke Akutagawa‘s re-working of this 13th century Japanese tale, a cold-hearted, conceited artist considered to be “the greatest in the land” insists upon personally experiencing the scenes he creates. When commissioned to paint a folding screen with a scene from Hell, he is able to complete all but the central image of a beautiful woman burning alive in a nobleman’s carriage. He asks for help from his Feudal Lord, who agrees to stage the event for him. As the artist watches, his emotions range from horror to ecstasy. Themes: hubris, inhumanity, obsession, inspiration in art, innocence, perception of truth. More…
The Imp of the Perverse
Like two of our earlier Edgar Allan Poe tales (The Back Cat and The Tell-Tale Heart), this story involves an unreliable, unhinged narrator facing execution for murder trying to account for his crime. He blames his actions on an agent he claims to be in all of us called the “Imp of the Perverse”. The Imp, he argues, is an urge that drives people to do things they shouldn’t for the simple reason that they know it to be wrong. Ironically, the Imp that drove him to murder also drove him to confess. Themes include perverseness, obsession, madness, self-destruction. More…