This story from Italo Calvino starts off aslike a horror story. A young couple with a baby move to a peaceful seaside village looking for work, only to discover that the whole place is crawling with ants. After they find the baby covered in ants and their food destroyed, Calvino takes a playful turn. He goes on to describe the sometimes farcical ways villagers try to exterminate and/or pretend they are not affected by the invaders, and the couple’s embarrassing confrontation with the reportedly self-serving government “Ant Man”. Themes: co-existing with nature, powerlessness, futility, tolerance/accepting the inevitable, mob hysteria. More…
The Hell Screen
In Ryūnosuke Akutagawa‘s re-working of this 13th century Japanese tale, a cold-hearted, conceited artist considered to be “the greatest in the land” insists upon personally experiencing the scenes he creates. When commissioned to paint a folding screen with a scene from Hell, he is able to complete all but the central image of a beautiful woman burning alive in a nobleman’s carriage. He asks for help from his Feudal Lord, who agrees to stage the event for him. As the artist watches, his emotions range from horror to ecstasy. Themes: hubris, inhumanity, obsession, inspiration in art, innocence, perception of truth. More…
The Homemaker / Gharwali
In this story by Ismat Chughtai, an orphan growing up on the streets learns that her body is her only asset. Alluring and without shame, she is known for providing sex for money, on credit, or as charity. Things change when a friend suggests that a respectable shopkeeper employ her as a housemaid. He refuses because of her reputation, but she is so taken by what she sees after visiting his house that she stays despite his protests and takes over the household. Themes include promiscuity, reputation, hypocrisy, desire, marriage, patriarchy, jealousy, the importance of “belonging”. More…
Hunted Down
Although the language is that of the mid-Victorian era (occasional archaic vocabulary and long, formal sentences), this witty, detective-style story from Charles Dickens has a climax that would do Agatha Christie proud. The protagonist, a manager in an insurance office, leads us through the rather convoluted tale. With at least one murder and two more on the way, it is not until the end that readers learn that the real “detective” on the killer’s trail is not the protagonist, but one of his intended victims. Themes: first impressions (appearance/body language), deception, murder, justice, love, guilt. More…
The Werewolf
This is the first of Angela Carter’s well-known “wolf tales” series. Although the beginning resembles the Red Riding Hood children’s story, things soon take a very different turn. A wolf loses a paw, grandma is missing a hand, and the villagers show their bravery by beating the poor woman to death. What I particularly like is the way that Carter uses foreshadowing and omissions in the story-line to leave readers with a question: Was the grandmother really a witch/were-woman, or was the “good child” one of those northern country people with a cold heart mentioned in the opening sentence? More…