Featured Stories
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A major theme of this story by Saul Bellow is work ethic. Times are tough in 1930s Chicago. An intellectual white man starts a much-needed job delivering unclaimed welfare checks to people in a depressed black neighborhood. On his first day his younger supervisor implies that, as a city worker, he isn’t expected to “push too hard”. That’s not the way he works: he wants to do well for doing-well’s sake, and goes above and beyond in a quest to find the elusive Mr. Green. Other themes include poverty, race, suspicion, duty, tenacity, identity.
This story by Laura E. Richards is about a poor farm boy who, at the end of most working days, would sit on top of a hill and look at a far-away house that appeared to have golden windows. As he did so, he wished that he could live in a wonderful house like that. One day he sets out to find the house. When he gets there, he is disappointed to learn that the house doesn’t have golden windows. A little girl takes him to the top of her hill and shows him the real house with golden windows.
This philosophical narrative by Ursula Le Guin describes life in the seemingly utopian city of Omelas. We learn that almost everyone in the city lives in complete happiness. There is no organized system of rule, few laws, sexual freedom, no crime, no violence, and nobody living in want. Sadly, there is a blight on this “paradise”. For happiness to prevail, a single child must live in absolute misery, locked up alone in an underground cell. Themes: morality and moral compromise (the price of happiness), victimization, complicity (collective knowledge = shared responsibility), guilt, courage (the ones who “walk away”).
In this 1940s story by R. K. Narayan, a working-class father is tortured by guilt over his inability to spend time with his young daughter and provide some of the luxuries other children enjoy. When the chronically overworked man asks for an evening off to take her to a movie, he is refused. He is on the point of resignation when offered a small raise that the family needs badly. In a poignant moment, he arrives home late and finds his daughter asleep, still dressed for the movie. Themes: childhood innocence, parent-child relationships, powerlessness, exploitation, financial struggle, sacrifice, guilt.
Ann Beattie’s Janus is about a realtor (Andrea) who strategically places her most prized possession (a decorative, “lucky” bowl) in houses she is showing in the belief it will help them sell. The titular Janus is the two-faced Roman god of duality; the lover who gave Andrea the bowl calls her “two-faced” for not leaving her husband. The central theme, symbolized by the bowl, is the choices modern women must make, as between career and family, financial security and struggle, husband and lover, etc. Andrea’s choices bring career and financial success, but not happiness. Other themes: aesthetic appreciation, deception, emptiness.
This children’s story by Sandra Cisneros was initially rejected because the publisher thought the themes were too deep for children. It has since become one of the most widely taught stories in Elementary Schools. A misunderstanding at school over an ugly red sweater spoils a girl’s eleventh birthday. Her teacher is convinced the sweater is the girl’s and demands that she put in on. The girl does so but then breaks down in tears, embarrassing herself in front of the class. This is a “coming of age” story that deals with the difficult concepts of vanity and timidity.
This story by Marisa Silver is about a couple’s struggle to keep their marriage together after the miscarriage of their first child. Told from the husband’s point of view, it describes his wife’s trauma and slow recovery, which is set back by a carjacking in which they are held at gunpoint. This results in paranoia over security (so much so that she locks herself away over Halloween) and a rat in their bedroom wall. In a desperate attempt to save the marriage, he decides to take charge. Themes include loss, trauma and heartache, compassion and support, “flukishness”, disillusionment, paranoia.
The story by Howard Pyle is similar to the “trickster” narratives found in many folktales. Three greedy community leaders (a priest, a provost, and the town mayor) decide to trick an unsuspecting farmer out of a fat pig (or is it a dog?) he is taking to market. Later, the sly farmer turns the tables with three tricks of his own. For his last trick, he tells them the truth! The tricksters woe their foolishness at the bottom of a deep pit, and the farmer ends up with a lot of their money. Themes: greed, cleverness, revenge, distrust.
