The Challenge
Set in 1950s Peru, the major theme of Mario Vargas Llosa’s The Challenge is the Latin American concept of Machismo (being seen as a man among men). When a powerful street thug challenges a man from a rival group to a knife fight, the other accepts. He and his friends put on a brave face, even though they know he has little chance. The thug offers clemency as he begins to dominate the fight but the other refuses, preferring to die rather than admit defeat. Other themes include lawlessness, violence, rivalry, loyalty, honor.
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In this Swahili folktale, a monkey accepts the offer of a ride on a shark’s back to see the wonders under the sea. Once at sea, the monkey learns that the real reason for the trip is that the shark king needs a monkey’s heart to cure an illness. The monkey tricks the shark into returning. He then explains the trick by telling a story about a donkey, a hare, and a lion. One of the animals kills another. The third animal cooks it, but tells the killer there is no heart. Can you match the animals to the outcome?
Sir Mohan Lal, the pretentious high-ranking Indian official in this story by
Although this folktale has been called the “Slavic Cinderella”, for me it doesn’t quite get there. We have a young girl persecuted by family and a magical element (the gods of the twelve months of the year) that helps her, but here the comparison ends. There is no ball or special event, no beautiful clothes, and no handsome prince. She falls in love with a kind man and the two spend a blissful life of drudgery taking care of her family farm. As nice as it seems, this is not what most people would call a ‘fairytale’ ending!
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For me, the major theme of this philosophical story by
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