The early part of Angela Carter’s Company of Wolves comprises background and several anecdotes which build anticipation and atmosphere. The main story, which doesn’t start until one-third of the way through the text, is an adult-oriented adaption of Charles Perrault’s Little Red Riding Hood. Carter reinforces Perrault’s original theme through eroticism. The addition of the wolf choir outside the cabin (“Who has come to sing us carols, she said.” “Those are the voices of my brothers, darling; I love the company of wolves.”) reflects the feminist view (and Carter’s?) that all men have an innate desire to deflower young women. More…
Death in Venice
This Thomas Mann classic is renowned for its masterful psychological profile of Aschenbach, a jaded, aging writer who develops an unhealthy infatuation with a fourteen-year-old-boy during a Venetian holiday. Although the novella’s central theme (homosexuality) is no longer controversial, other aspects of the story (pedophilia and stalking) certainly are. Sympathy for Aschenbach is greatly diminished when, out of selfishness, he decides not to warn the holidaying boy’s family about a deadly epidemic being covered up by authorities. Many readers see Aschenbach’s fate as just punishment for his actions. Other themes: art and the artist, alienation, obsession, depravity, death. More…
Terrapin
This story by Patricia Highsmith involves a psychologically disturbed woman who cannot face the prospect of her eleven-year-old son “growing up”. The poor boy faces humiliation and bullying at school by having to wear tight, much younger boy’s shorts and is embarrassed at home by being forced to recite children’s poetry for his mother’s guests. When she brings home a terrapin (turtle) to cook for a special dinner, he mistakes it for a pet. The terrapin’s seemingly agonising death in boiling water, including a perceived cry for help, triggers a terrifying response. Themes: child abuse, control, change, identity, escape, insanity. More…
Blues Ain’t No Mockin Bird
Major themes of this story by Toni Cade Bambara are respect for oneself and others, and maintaining one’s dignity when treated disrespectfully. Two white men making a government film on their property anger the matriarch of a poor African-American family. They show disrespect by invading her family’s privacy and filming them without permission, speaking down to her in a condescending way, and ignoring her demand to stop filming. Although clearly enraged, she remains outwardly calm; not so her husband who, sensing her feelings, takes non-violent but decisive action. Other themes include social class, racism, privacy, storytelling. More…
The Well
In this story by Mariana Enríquez, a six-year-old girl changes dramatically after a family visit to a supposed witch. She develops a series of severe phobias that make it impossible to leave her house and live a normal childhood. In her teens, her older sister tells her that the witch’s visit cured her mother, grandmother and herself of similar fears. Seeking help, they revisit the witch and learn that her family had had the witch cast an irreversible spell transferring the “old evils” inhabiting themselves to the girl. Themes include irrational terror, demonic possession, betrayal, despair, the supernatural. More…